pinstriped git in a pink tie who walked in now. They all gave him a sort of this-isn’t-really-me glance, followed by the kind of inane semi-grin you see in stroke victims, then they’d start fondling a dildo, or a pair of lace knickers, or a set of handcuffs, like sex had not yet been invented.
Another man was coming in. Lunch hour. Yeah. He was a bit different. A shell-suited jerk in a hoodie and dark glasses. Clyde lifted his eyes from the monitor and watched as he entered the shop. His type were the classic shoplifters, the hood shielding their face from the cameras. And this one was behaving really weirdly. He just stopped in his tracks, staring out through the opaque glass in the door for some moments, sucking his hand.
Then the man walked over to the counter and said, without making eye contact, ‘Do you sell gas masks?’
‘Rubber and leather,’ Clyde replied, pointing a finger towards the back of the store. A whole selection of masks and hoods hung there, between a range of doctor, nurse, air hostess and Playboy bunny uniforms, and a jokey Hung Like a Stallion pouch.
But instead of walking towards them, the man strode back towards the door and stared out again.
Across the road, the young woman called Sophie Harrington, whom he had followed from her office, was standing at the counter of an Italian deli, with a magazine under her arm, waiting for her ciabatta to be removed from the microwave, talking animatedly on her mobile phone.
He looked forward to trying the gas mask out on her.
14
‘Gets me every time, this place,’ Glenn Branson said, looking up from the silent gloom of his thoughts at the even gloomier view ahead. Roy Grace, indicating left, slowed his ageing maroon Alfa Romeo saloon and turned off the Lewes Road gyratory system, past a sign, in gold letters on a black ground, saying Brighton and Hove City Mortuary. ‘You ought to donate your rubbish music collection to it.’
‘Very funny.’
As if out of respect for the place, Branson leaned forward and turned down the volume of the Katie Melua CD that was playing.
‘And anyhow,’ Grace said defensively, ‘I like Katie Melua.’
Branson shrugged. Then he shrugged again.
‘What?’ Grace said.
‘You should let me buy your music for you.’
‘I’m very happy with my music.’
‘You were very happy with your clothes, until I showed you what a sad old git you looked in them. You were happy with your haircut too. Now you’ve started listening to me, you look ten years younger – and you’ve got a woman, right? She’s well fit, she is!’
Ahead, through wrought-iron gates attached to brick pillars, was a long, single-storey, bungalow-like structure with grey pebbledash rendering on the walls that seemed to suck all the warmth out of the air, even on this blistering summer’s day. There was a covered drive-in one side, deep enough to take an ambulance – or more often, the coroner’s dark green van. On the other side, several cars were parked alongside a wall, including the yellow Saab, with its roof down, belonging to Nadiuska De Sancha and, of much more significance to Roy Grace, a small blue MG sports car, which meant that Cleo Morey was on duty today.
And despite all the horror that lay ahead, he felt a sense of elation. Wholly inappropriate, he knew, but he just could not help it.
For years, he had hated coming to this place. It was one of the rites of passage of becoming a police officer that you had to attend a post-mortem early in your training. But now the mortuary had a whole different significance to him. Turning to Branson, smiling, he retorted, ‘What the caterpillar calls the end of the world, the master calls the butterfly.’
‘What?’ Branson responded flatly.
‘Chuang Tse,’ he said brightly, trying to share his joy with his companion, trying to cheer the poor man up.
‘Who?’
‘A Chinese philosopher. Died in 275 bc.’ He didn’t reveal who had taught him this.
‘And he’s in the mortuary,
Another man was coming in. Lunch hour. Yeah. He was a bit different. A shell-suited jerk in a hoodie and dark glasses. Clyde lifted his eyes from the monitor and watched as he entered the shop. His type were the classic shoplifters, the hood shielding their face from the cameras. And this one was behaving really weirdly. He just stopped in his tracks, staring out through the opaque glass in the door for some moments, sucking his hand.
Then the man walked over to the counter and said, without making eye contact, ‘Do you sell gas masks?’
‘Rubber and leather,’ Clyde replied, pointing a finger towards the back of the store. A whole selection of masks and hoods hung there, between a range of doctor, nurse, air hostess and Playboy bunny uniforms, and a jokey Hung Like a Stallion pouch.
But instead of walking towards them, the man strode back towards the door and stared out again.
Across the road, the young woman called Sophie Harrington, whom he had followed from her office, was standing at the counter of an Italian deli, with a magazine under her arm, waiting for her ciabatta to be removed from the microwave, talking animatedly on her mobile phone.
He looked forward to trying the gas mask out on her.
14
‘Gets me every time, this place,’ Glenn Branson said, looking up from the silent gloom of his thoughts at the even gloomier view ahead. Roy Grace, indicating left, slowed his ageing maroon Alfa Romeo saloon and turned off the Lewes Road gyratory system, past a sign, in gold letters on a black ground, saying Brighton and Hove City Mortuary. ‘You ought to donate your rubbish music collection to it.’
‘Very funny.’
As if out of respect for the place, Branson leaned forward and turned down the volume of the Katie Melua CD that was playing.
‘And anyhow,’ Grace said defensively, ‘I like Katie Melua.’
Branson shrugged. Then he shrugged again.
‘What?’ Grace said.
‘You should let me buy your music for you.’
‘I’m very happy with my music.’
‘You were very happy with your clothes, until I showed you what a sad old git you looked in them. You were happy with your haircut too. Now you’ve started listening to me, you look ten years younger – and you’ve got a woman, right? She’s well fit, she is!’
Ahead, through wrought-iron gates attached to brick pillars, was a long, single-storey, bungalow-like structure with grey pebbledash rendering on the walls that seemed to suck all the warmth out of the air, even on this blistering summer’s day. There was a covered drive-in one side, deep enough to take an ambulance – or more often, the coroner’s dark green van. On the other side, several cars were parked alongside a wall, including the yellow Saab, with its roof down, belonging to Nadiuska De Sancha and, of much more significance to Roy Grace, a small blue MG sports car, which meant that Cleo Morey was on duty today.
And despite all the horror that lay ahead, he felt a sense of elation. Wholly inappropriate, he knew, but he just could not help it.
For years, he had hated coming to this place. It was one of the rites of passage of becoming a police officer that you had to attend a post-mortem early in your training. But now the mortuary had a whole different significance to him. Turning to Branson, smiling, he retorted, ‘What the caterpillar calls the end of the world, the master calls the butterfly.’
‘What?’ Branson responded flatly.
‘Chuang Tse,’ he said brightly, trying to share his joy with his companion, trying to cheer the poor man up.
‘Who?’
‘A Chinese philosopher. Died in 275 bc.’ He didn’t reveal who had taught him this.
‘And he’s in the mortuary,
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