want to know what you’ve been doing. I can’t believe this …”
“I can’t, dammit! He gonna kill me. I’m sick, godammit to hell!”
Here he gave a groan of such mortal agony that even over the wires his wife realized that whatever her husband had gotten into was outside the zone of ordinary domestic troubles.
“OK, Donnie, be calm, honey. What do you want me to do?”
“Bring some money, anything, and some clothes. I’m at the Olympia Hotel on Tenth Avenue. Room Ten. And hurry, Ella, huh?” The line went dead. After that, Ella Walker went to the ladies’ room, sat in a booth, and cried for a while. Then she washed her face and returned to her desk. As she had learned to do from earliest childhood, she now turned to her family in time of trouble. With trembling hand she punched out the number of the Midtown South Precinct and asked to speak with her brother, Detective Second Class Emerson Dunbar, Homicide.
When his sister called, Sonny Dunbar was walking down Eighth Avenue in the lower Forties, with the beginnings of a nasty headache, doing his job, but not liking it very much. His job at that moment was looking for a skell named Dingleberry, who, according to a snitch named Rufus, had been seen lately in the company of a prostitute named Booey Starr, or (if you were her mother), Francine Williams, now deceased. Since Booey had probably not hit herself in the head with a claw hammer twenty or so times, her death had been duly judged a homicide and added to the 153 open cases that were Dunbar’s particular responsibility.
Dunbar had been a New York cop for fifteen years, a detective for ten. Before that he had jumped out of some airplanes for the U.S. Army and before that he had gone to high school in Queens, about two miles from where he now lived, in St. Albans. His high-school career had been undistinguished, except on the football field, where he turned out to be very good at stopping other players from catching footballs, or if they did catch them, stopping them from running very far. He was an All-State safety on two teams, got the usual offers from faraway schools and turned them all down.
This was remarkable, but Sonny Dunbar had always taken the long view. He hated classrooms, and knew he wasn’t good enough for a sure slot in the pros. He didn’t care to be another Big Ten black jock with a meaningless B.A. in phys ed. So he enlisted, spent three years with the airborne as an MP, figured he was tough enough for anything after that, and joined the cops.
He had put on about ten pounds in the years since, which hardly showed on his wide-shouldered, six-two, two-hundred-pound frame. He didn’t like the way some cops let themselves get sloppy, and he had a reputation on the squad as something of a dude, not as splendid, perhaps, as the members of the special narcotics squads, but his wardrobe came out of his own pocket. It helped that his wife was an executive with a restaurant chain.
Today he was wearing a cream-linen jacket, tan slacks, lemon-yellow shirt, and a dark-blue silk tie. He had cordovan tassel loafers (no gumshoes for him) on his feet and a cream fedora on his head. And sunglasses; Sonny Dunbar was definitely Broadway. He had left his car at a cab stand on 43rd and was cutting across Eighth to a drug store for an Alka-Seltzer. Moving fast, he was just about to enter its doorway when the thought hit him that he had a roll of film in the car that he had promised to bring in for developing two days ago. Almost without any conscious effort, he hit the pivot and began moving in the opposite direction, and a kid in sneakers carrying a large leather handbag crashed into him at full speed.
Dunbar staggered, but the kid went sprawling and banged his head on a parking meter. Dunbar was about to apologize and help the kid to his feet, when he noticed the big handbag. Although many young men in that area of New York carried handbags, this particular young man did not look like that kind of
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