New Lives

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Authors: Ingo Schulze
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pointed at one of the two bottles that the woman behind the bar held up under my nose, and noticed too late that it was the other one I wanted, the carbonated one.
    Oh, how I wanted to talk with somebody. I watched the waitress fiddle with a huge espresso machine, stared at the clasp of her bra shimmering through her white blouse, and felt totally superfluous.
    I was served coffee with foaming milk, made good use of the large sugar shaker, and watched the sugar sink beneath the foam and cling to the rim of the cup.
    I had already drunk two or three sips when my nose suddenly picked up the scent of burnt milk. I stirred in another spoonful of sugar, and went on sipping, but the second I set the cup down again, I smelled burnt milk again.
    The waitress was peeling a lemon right in front of me. My first thought was that a coworker had taken her place—the hands were so alarmingly old, so wrinkled. I pulled out my wallet, stood there waiting to pay the bill, and forfeited half my francs because I didn’t want to look cheap by leaving only coins behind.
    And I hadn’t even finished my coffee. The memory had been too overwhelming, the memory of plastic cups—those green, red, or brown plastic cups 40 —brimful with scalded milk, the skin floating on top, which would reappear no matter how often I fished it out and wiped it on my pants or the edge of my plate, then would stick to my lips, leaving me gasping in disgust for air. I left.
    Although it was windy and cold, spring seemed to have suddenly arrived on earth. Everything was bathed in a different light. I walked on, as if I could find you in Paris, as if it were possible that at any moment you could be walking toward me. I wanted you here beside me—and with you everything that we knew, that we had seen, that belonged to us, our streets, our world. The concentration, amusement, and delight in all the things we honored and embraced, all the things we craved as brother and sister. The white décolletage of the woman selling cigarettes against the shadows of her little booth. I had to bend at the knee to see into her face. A twenty-five-year-old, who, wrapped in her scarf, turned fifty-two yesterday. I say what I want, she greets me, she repeats my request, she hands me the pack, I pay, she thanks me, I thank her, we say our good-byes.
    Like a man gambling, I let my route be decided by each new stoplight. I didn’t know what I should be looking for, the only thing I knew for certain was that I would find you. My first steps of freedom, it kept going through my mind, my first steps of freedom. I wanted to forget my age, my name, my birthplace. All I wanted was to see and to set one foot in front of the other and have you beside me.
    Two North Africans asked me something in voices as costly as some heavy glistening fabric. I shrugged and walked on. Awakened to bray its market wares, Paris was offering a sale on spring in early February. I touched fruit crates, metal railings, house walls, door handles. I knew you were near. I didn’t see you, that would have been too much, but I was certain that we were breathing the same air, I could hear you.
    I pointed at a portal and said: “The gate for the riders, madame,” and you said, pointing to the next door: “The gate for the pedestrians, monsieur.” 41 You were constantly seeing something I did not see, that I didn’t notice until you pointed it out to me: the sign DANGER DE MORT on a blue box wrapped in transparent foil, DANGER DE MORT . I am afraid of losing you. But I dare not let anyone notice. I must decide, I must board the train in two hours—back, back behind the wall, they’ve only let me out for a short time because my book has been published here, because it lies in every bookstore display, and we stroll from window to window. It is still too early, the shops are closed.
    At an intersection the letters on the canopies above the Dome and Rotonde and Toscana 42 line

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