shot!â Often almost the whole night would pass while we talked under the linden tree, which kept the rain off the two of us, except for occasional drizzle. Or I stood in half-darkness in the closed ward by the rails of the bed to which the notaryâs wife was strapped, while she implored me to report her situation to her husband (who had committed her to the mental hospital).
And the man who sat down next to me in all my regular bars, dressed in the light-colored suit of a man-about-town, was a monk, and every time he was coming from giving religious instruction to pupils each of whose ears he would have liked to box. And the man in a too small gray smock who waved to me from a distance while loading packages in the yard of a local post office on the outskirts of townâI realized it only out on the streetâhad been the headwaiter at the Bristol Hotel just the week before. And when I rang the bell of the artist coupleâs apartment because I had left something behind, I heard from behind the door cries of passion, which the most insistent ringing could not interruptâand just a moment ago, in my presence, and all evening in fact, they had been spitting their mutual hatred in each otherâs faces. And the traveler to India told me that in the place where he went every year, to get away from society here, he rubbed shoulders with the worldâs elite, whereupon his equally gentle girlfriend told me he went away only because he had his brotherâs death on his conscience, and as she spoke these words she slipped her bare foot between my legs under the table.
I knew the place where the former Olympic bronze medalist in the
slalom, long since homeless, slept in an underground parking garage, knew that the deputy mayor went fishing only because of his depression, spent several nights with my construction-worker brother in the barracks in Simmering where his crew of itinerant ironworkers from Carinthia was staying, was one of the few allowed to attend the funeral of the murdered gambling kingpin, a book publisher on the side, at which his SS friend, a presidential advisor at the time, delivered a graveside eulogy during which he repeatedly broke down, and his wife then had the St. Stephenâs concert choir sing the Mozart Requiem, practiced specially for the occasion.
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M y comédie humaine from the Austria of that period, modeled loosely on Balzac and Doderer and the Civil Code, remained a figment of my imagination.
Although at times I saw all the characters sharply delineated in my mindâs eye, there were still several rather strange reasons why the story did not allow itself to be written, at least not by me. Perhaps the strangest: on the one hand I intended to capture all of society, including the terrorist (today a housewife once more) urging her cause on me in a staccato whisper as we huddled in a broom closet at the chancellery; including the Yugoslav guest worker, his skin reddened from his work in a laundry, in his free time painting signs for pubs on the eastern outskirts of Vienna, a man who despised the Albanians because they âdidnât have any butts in their britches,â father of a half-Albariian child, off in distant Pristina with its mother.
On the other hand not a single person in this society seemed to fit with anyone else, no matter how I closed my eyes and racked my brains, not even within the established groups, academic and social classes, associations, clubs, and cliques.
Each of these people appeared to me in my imagination alone, without a link to a second or third party of whatever sort.
Not that I had in mind a connectedness, even the most fleeting unity, for this society; its members merely refused to let themselves to be pictured in one and the same story. And the others out there simply appeared as doubles.
Another problem was that on the one hand the individuals whom I was considering as preliminary sketches for my own inventions did
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