to?â
âYou look the same as always,â said Mr. Schenck, âonly get some sleep and quit crying.â
âThank you,â I said.
I called X Studio two days later. The casting department was very polite. Yes, they had a place for me. They would put me on the payroll and see that I was given a chance at any part that came up. Mr. A., the casting director, smiled, squeezed my hand and added, âYou ought to go a long way here. Iâll watch out for a good part for you.â
I returned to my room at the Studio Club feeling alive again. And the daydreams started coming backâkind of on tiptoe. The casting director saw hundreds of girls every week, whom he turned down, real actresses and beauties of every sort. There must be something special about me for him to have hired me right off, after a first look.
There was something special about me in the casting directorâs eyes, but I didnât find it out till much later. Mr. Schenck had called up the head of X Studio and asked him as a favor to give me a job.
I received several âextra girlâ calls from the studio and worked in a few scenes as âbackground.â Then one day Mr. A., the casting director, telephoned. He wantedme in his office at four oâclock. I spent the day bathing and fixing my hair and reciting out loud different parts I had learned. And giving myself instructions. This was the big chance. Mr. A. wouldnât have called me himself if it wasnât for a real part. But I musnât act overeager, or start babbling, or grin with joy. I must sit quietly and have dignity every minute.
Mr. A. wasnât in his office, but his secretary smiled at me and told me to go inside and wait for him.
I sat straight in one of Mr. Aâs inner office chairs waiting and practicing dignity. A door at the back of the office opened, and a man came in. I had never met him, but I knew who he was. He was head of X Studio, and as great a man as Mr. Schenck or Mr. Zanuck.
âHello, Miss Monroe,â he said.
He came over to me, put his hand on my arm, and said, âCome on, weâll go in my office and talk.â
âI donât think I can leave,â I said. âIâm waiting for Mr. A. He telephoned me about a part.â
âThe hell with Mr. A.,â said the great man. âHeâll know where you are.â
I hesitated, and he added, âWhatâs the matter with you? You dopey or something? Donât you know Iâm the boss around here?â
I followed him through the back door into an office three times larger than Mr. Aâs.
âTurn around,â said the great man. I turned like a model.
âYou look all right,â he grinned. âNicely put together.â
I said, âThank you.â
âSit down,â he said, âI want to show you something.â
The great man rummaged through his oversized desk. I looked at his office. The tables were full of bronze Oscars and silver cups and all sorts of other prizes he hadwon with his movies. I had never seen an office like this beforeâthe office where the head of an entire studio presided. Here was where all the great stars, producers, and directors came for conferences, and where all the decisions were made by the great man behind his battleship of a desk.
âHold all calls,â the great man spoke into a box on the desk. He beamed at me. âHereâs what I wanted to show you.â
He brought a large photograph to my chair. It was a picture of a yacht.
âHow do you like it?â he asked.
âItâs very beautiful,â I said.
âYouâre invited,â he said. He put his hand on my neck.
âThank you,â I said. âIâve never been to a party on a yacht.â
âWho said anything about a party,â the great man scowled at me. âIâm inviting you, nobody else. Do you want to come, or not?â
âIâll be glad to join you and
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