class. I ask him which his son is. âTony,â he says. That would be Tony Dupee. Which means that the man thanking me is F. W. Dupee, one of the leading American Literature scholars in the world. So the compliment grows even more rewarding. Until I remember that it was Professor Dupee who wrote that Introduction. My mistake.
âDonât worry,â he says as I redden. âIt was a really good class and your criticism made sense. Although I canât help defending myselfâthatâs the trouble with academics. I
meant
the Introduction to be biographical, for those who were reading the bookâand maybe Jamesâfor the first time.â
Â
My brother Mike has graduated from law school at the University of Virginia. Law school has made him more studious and somber. He gets serious about the girlfriend who soon ends up his wife and never tells intimate stories about her. Well, maybe a little, at the start. He begins to criticize my immaturities, which are many, in a more sober way. When heâs hired by a fancy law firm in New YorkâDavis, Polkâcourtesy of a UVA Law professor who took a liking to him and overlooked his just-shy-of-stellar grades, he finds the work overwhelmingly difficult and tells me glumly that he doesnât think he will ever be made a partner there. He is starting to carry the weight of adulthood, in other words, and in doing so once again shows me the way. I donât like the way and donât follow itâI donât want to have any part of this weightiness. Iâm teaching at Collegiate and still want my summers off, my work hours limited, my personal life âfree.â And I want Mike to be my brother as he has always been, when we were kids and teenagers and undergraduates. I want time to stop for us. Iâm jealous of his relationship with his wife. I think Iâm losing him, and in a way I am. This is Mikeâs hardest fraternal taskâputting a stop to my childhood. He succeeds, ultimately, but in a way so devastating to me and my family that I think the worst villain would not have willed it to happen.
Itâs Thanksgiving of 1967, and weâre playing touch football before dinner with some Grace cousins from Boston on the front lawn of the house in Nyack. Itâs a pure fall day, with the Hudson all blue and white, the tree branches vascular-looking in their bareness, and the air as clean and clear as alcohol. Mikeâs wife and my girlfriend are standing on the sidelines. Before the game starts, I try to tease him about something, and when he doesnât respond, I grab him around the waist and try to wrestle him to the ground. He shakes me off and says, âWhy donât you grow up?â Iâm embarrassed and angry.
The game begins, with me and Mike against the Graces. Because he has bad knees and has already had surgery on one of them, Mike plays the more static lineman position and I play backfield. Still consciously smarting from his scolding, I finally say, âIâm tired. You play backfield for once.â My mistake. Mike says, âYou know I canât.â I say, âYour precious knees will be fine.â He says OK. On the very first play, he jumps to try to knock down a pass and comes down with one of his legs all twisted up. It buckles beneath him and he tears a knee ligament. He is furious, and his wife glares at me. Iâm covered with remorse and apologize to them. Mike hobbles through the rest of the holiday and has surgery in the first week of December.
On the day after the surgery, in Brooklyn, Carl Andrews walks into my classroom at Collegiate and tells me to call my parents at the hospital in Brooklyn where Mike was operated on. I go out of the classroom and dial, then stand there, next to the wall phone, listening to my mother try, without crying, to tell me that something has gone wrong. And that same dreadful feeling of cold and abandonment which descended on me in Grand
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