the party. It was good seeing you again.â
She felt dazzled. She watched him walk away, grasp someoneâs hand, pat someone else on the back. She felt a sexual draw that had happened only once or twice before. But he had said âdaughter,â and that meant wife, and she didnât want to get into that kind of situation. Flora would kill her, and Flora was right.
That was more than ten years ago, and Flora hadnât killed her because Flora didnât know.
Looking through her few pieces of mail reminded Jane that she would have to let the post office know of her change of address. And the credit-card people and the stores where she had charge accounts. The details of moving went far beyond hiring a van with a few strong men.
At the bottom of the pile of mail was the little letter on crinkly paper. Once again she left it unopened. This was not the time. She had dinner to eat and calls to make to try to locate the missing tenants in Quillâs building.
âThis is Catherine Phelps. Who is this, please?â The voice was not that of a native New Yorker. It had probably started life in the South, although Jane guessed its owner had lived here for some time.
âThis is Det. Jane Bauer of the New York Police Department.â
âMy goodness! That is a surprise. Has something happened?â
âNo, maâam. Weâre just trying to locate someone you know, Miss Margaret Rawls.â
âMargaret. Well. Itâs a long time since Iâve heard from Margaret.â
âDo you have an address for her?â
âMay I ask why you want to find her?â
âIt concerns a homicide that took place in a building she lived in a few years ago.â
âYes, I remember that very well. Her neighbor was murdered in the downstairs area.â
âThatâs right. Weâd like to talk to her about it.â
A âhmmâ came across the line. âWell, I tell you what. I donât like doing business over the phone. Iâm sure you can understand that. If you want to come and show me some identification, Iâll tell you what I know.â
âHow about first thing tomorrow morning, Miss Phelps?â
âThat will be just fine. I usually leave for work about eight-fifteen. If you can be here before eight, we can talk.â
The address wasnât far. Catherine Phelps lived on West End Avenue in the Seventies, and Jane could walk it in fifteen minutes or less. Getting up early was preferable to knocking herself out tonight and not getting any packing done. There were linens and clothes still to be taken care of, a couple of small rugs to be rolled and tied. In fact, everywhere she looked there seemed to be something else that needed to be packed.
That left the number for Jerry Hutchins. She dialed it and waited while it rang several times, finally answered by a youngish-sounding man.
âIâd like to speak to Jerry Hutchins.â
âWho?â
âMr. Hutchins, Jerry Hutchins.â
âNo one here by that name right now.â
âMaybe someone by that name stayed at your address a while back. I really need to talk to him.â
âHey, babe, anyone in New York couldâve lived here a while back. Hold on.â
There were voices in the background. It almost sounded like a bar on Saturday night. Then another man said, âThis is Al.â
âIâm trying to find Jerry Hutchins.â
âJerry Hutchins.â
âYes.â
âIt kind of rings a bell.â
âDoes he live there?â
âIf he does, itâs news to me. But it wouldnât be the first time someoneâs lived here without my knowing it.â
âDo you know where I can find him?â
âWhen do you think he was here?â
âAbout three or four years ago.â
âFour years! Lady, in this place thatâs a lifetime.â
âAl,â she said plaintively, âI really need to find
Robert Charles Wilson
A Tapestry of Hope
Thomas Berger
Barbara O'Connor
Amy Crook
Niki Turner
Kristina Lloyd
Chasity Bowlin
Rachel Alexander
Diana Wallis Taylor