brass, I crossed the road and hit the porno emporium on Forty-Third and Broadway. How to describe it? It is a men's room. These 25-cent loop cubicles are toilets, really: you enter your trap, putting money in the slot, you sit down and do what you need to do. The graffiti is written in black magic-marker on yellow cards, to which curious pin-ups are attached. This bitch has a gash so big. Watch the fuckpigs frolic in torrents of scum. Juanita del Pablo gets it in the ass. Who writes these things? Clearly someone on exceptionally cool terms with the opposite sex. Meanwhile, the black janitorial stroll with jinking moneybags . . . First I sampled an S/M item in booth 4A. They got the chick on her back, bent her triple, and wedged a baseball bat in the tuck behind her knees. Then they gave her electric shocks. It was realistic. Was it real? You saw a writhing line of white static, and the girl certainly screamed and bounced. I split before they gave her an enema, which they were billed to do in the scabrous hate-sheet tacked to the door. If the girl had been a bit better-looking, a bit more my type, I might have stuck around. In the next booth along I caught a quarter's worth of film with a sylvan setting: the romantic interest of the piece focused on the love that flowers between a girl and a donkey. There she was, smiling, as she prepared to go down on this beast of burden. Ay! The donkey didn't look too thrilled about it either. 'I hope you're getting good money, sis,' I mumbled on my way out. She wasn't bad, too... Finally I devoted twenty-eight tokens' worth of my time to a relatively straight item, in which a slack-jawed cowboy got the lot, everything from soup to nuts, at the expense of the talented Juanita del Pablo. Just before the male's climax the couple separated with jittery haste. Then she knelt in front of him. One thing was clear: the cowboy must have spent at least six chaste months on a yoghurt ranch eating nothing but icecream and buttermilk, and with a watertight no-handjob clause in his contract. By the time he was through, Juanita looked like the patsy in the custard-pie joke, which I suppose is what she was. The camera proudly lingered as she spat and blinked and coughed... Hard to tell, really, who was the biggest loser in this complicated transaction — her, him, them, me.
Now I come jerking and burping up the portalled steps of Fielding's club, having stopped off for a drink or two on the way. You'd think I'd be in pretty terminal shape by now, what with the rum and the dope and all. But not me. No sir, not this baby. You recognize the type by now? Some people get sleepy when they drink a lot, but not us. When we drink a lot, we want to go out and do things... Never do anything is the rule I try and stick to when I'm drunk. But I'm always doing things. I'm drunk. 'Never do anything': that's a good rule. The world might be a better place — and a lot safer for me — if nobody ever did anything.. . So, as I say, I was in capital fettle when the revolving doors hurled me into the hall — to meet Fielding Goodney, and Butch Beausoleil, the real Butch Beausoleil.
There was a white-haired old robot at the desk, and we shot the breeze for a while as he checked me out on the intercom. I told him a joke. How does it go now? There's this guy and his car breaks down and he—No, hang on. There's this farmer who keeps his wife locked up in the — Wait, let's start again... Anyway, we had a good laugh over this joke when I'd finished or abandoned it, and I was told where to go. Then I got lost for a bit. I went into a room where a lot of people in evening dress were sitting at square tables playing cards or backgammon. I left quickly and knocked over a lamp by the door. The lamp should never have been there in the first place, with its plinth sticking out like that. For a while I thrashed around in some kind of cupboard, but fought my way out in the end. Skipping down the stairs again, I fell heavily on my
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