Mistress of the Empire

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Authors: Raymond E. Feist, Janny Wurts
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prepared. Hokanu murmured polite words to the last and least of the Ruling Lords who merited personal recognition. Between the litter and the pyre waited one last contingent, robed in unadorned black.
    Touched by awe, Hokanu forced his next step, his hand tightening upon Mara. If she realised she confronted five Great Ones, magicians of the Assembly, she gave no sign. That their kind was above the law and that they had seen fit to send a delegation to this event failed to give her pause. Hokanu was the one to ponder the ramifications, and to connect that of late the Black Robes seemed to have taken a keener interest than usual in the turnings of politics. Mara bowed to the Great Ones as she had to any other Lord, unmindful of the sympathy offered by the plump Hochopepa, whom she had met at the occasion of Tasaio’s ritual suicide. The always awkward moment when Hokanu faced his true father was lost on her. The icy regard of the red-haired magician who stood behind the more taciturn Shimone did not faze her. Whether hostile or benign, the magicians’ words could not pierce through her apathy. No life their powers could threaten meant more than the one Turakamu and the Game of the Council had already seen fit to take.
    Mara entered the ritual circle where the bier lay. She watched with stony eyes as her Force Commander lifted the too still form of her boy and laid him tenderly on the wood that would be his final bed. His hands straightened sword and helm and shield, and he stepped back, all his rakishness absent.
    Mara felt Hokanu’s gentle prod. Numbly she stepped forward as around her the drums boomed and stilled. She lowered the ke-reed across Ayaki’s body, but it was Hokanu’s voice that raised in the traditional cry: ‘Weare gathered to commemorate the life of Ayaki, son of Buntokapi, grandson of Tecuma and Sezu!’
    The line was too short, Mara sensed, a vague frown on her face. Where were the lists of life deeds, for this her firstborn son?
    An awkward stillness developed, until Lujan moved at a desperate glance from Hokanu and nudged her around to face the east.
    The priest of Chochocan approached, robed in the white that symbolised life. He shed his mantle and danced, naked as at birth, in celebration of childhood.
    Mara did not see his gyrations; she felt no expiation for the guilt of knowing her laxity had caused disaster. As the dancer bowed to earth before the bier, she faced west when prompted, and stood, dull-eyed, as the whistles of Turakamu’s followers split the air, as the priest of the Red God began his dance for Ayaki’s safe passage to the halls of the Red God. He had never needed to represent a barbarian beast before, and his idea of how a horse might move had been almost laughable had it not ended in the fall to earth that had crushed so much young promise.
    Mara’s eyes stayed dry. Her heart felt hardened to a kernel incapable of being renewed. She did not bow her head in prayer as the priests stepped forward and slashed the red cord that bound Ayaki’s hands, freeing his spirit for rebirth. She did not weep, or beg the gods’ favor, as the white-plumed tirik bird was released as symbol of the renewal of rebirth.
    The priest of Turakamu intoned his prayer for Ayaki. ‘In the end, all men come before my god. The Death God is a kind Lord, for he ends suffering and pain. He judges those who come to him and rewards the righteous.’ With a broad wave of his hand and a nod of his skull mask, the priest added, ‘He understands the living and knows of pain and grief.’ The red wand pointed to the armored boy on thepyre. ‘Ayaki of the Acoma was a good son, firmly upon the path that his parents would have wished for him. We can only accept that Turakamu judged him worthy and called him so that he might be returned to us, with an even greater fate.’
    Mara clenched her teeth to keep from crying.
    What prayer was there to be said that would not be tainted with rage, and what rebirth beyond being

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