Emily is showing me how to make quince jelly, and the apple perfume of the fruit fills the air until I feel I might swoon. âIâve only met Maggie Maher once,â Miss Emily says. âI thought her ferocious and mighty.â
âHuh. Maggie would love that. Every evening she sits around the place, bawling over Auntie Mary. She keens like a crone when sheâd be better off staying quiet. Even Uncle Michael is fed up with her carrying on. She ruins every meal he tries to take, with her histrionics.â
Miss Emily begins to mash the fruit. âI could write to Mrs.Boltwood and ask her to summon your cousin back to Connecticut.â
âOh.â I look at her. âWould that be fair, miss? Sheâs mourning the same as myself. More so. She has no mother now.â
âA little sparrow tells me she is needed. We will say nothing more of it.â
Her decision quietens me. I wonder if it is fair on Uncle for Maggie to be sent back to Connecticut. But surely he would not mind so much? Maggie upsets the house, from dawn till dusk. It would most likely be a relief to him to have some peace. Miss Emily hands me the cheesecloth to flatten out and gives me a conspiratorial smile. Together we place two layers of the cloth over a pot and pour the fruit onto them. The way she takes the jelly making in hand reminds me of Mammy. I the pupil, she the teacher.
âIâve had no mother to speak a word to this three months, miss. Iâm only realizing that Auntie Mary was as good as a mother to me, now that sheâs gone.â
âYes, a mother is one to whom you go when you have troubles, I suppose, to get them smoothed over. I rarely run to mine.â She wipes her hands briskly. âBut I am here for you, Ada. You may speak all your sorrows to me.â I donât know what to say to this; I am grateful for her care, but does she mean she never talks to her own mother? I have nothing to say, so I say nothing.
The last golden leaf of autumn is hanging from a spiderâs thread at my bedroom window. I sit on my bed and watch it reel and twirl, as surely as if there is life inside it. I am so entranced by the leaf âs mad dance that I am startled to realize there is somebody standing in the room. I turn to see my cousin peering down at me.
âMaggie! There you areâI didnât hear you knock.â
âThatâs because I didnât knock,â she says. âThis is my fatherâs house. My house. I donât have to knock.â She gives me her bossiest look. âIâm going back to Connecticut. But before I leave, youâll have to find somewhere else to live.â
âI beg your pardon?â
âYou heard me, Ada. Daddy is a widower now, and I canât have the two of you alone here together. Itâs not right. Father Sullivan raised the matter with me after the funeral.â
Maggie is not looking at me; rather she glares over my head and out the window. She wears a Florence bonnet trimmed with electric blue ribbon that surely once belonged to Mrs. Boltwood and a smart wool cape. Itâs far from Slievenamon she is in her rigout; imagine her tripping down the mountain to Fethard with those ribbons flying.
I stand up to face her. âYour mother would have wanted me to stay and take care of Uncle Michael.â
She snorts. âTake care of him? And you kowtowing to that Emily Dickinson with every hour that God sends.â
âI work for the Dickinsons, Maggie, the same as you work for the Boltwoods. And I do my bit here.â
âThat pair of auld ghouls. And their two daughters, with neither chick nor child between them and not a hope of it either.â
I donât bother to point out that she is a spinster the same as the Misses Dickinson.
I feel homesick; I want Mammy and the sweet repose of home. I look straight at Maggie. âWhere will I go?â I ask.
âHow am I to know? Youâll not stay under this
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