died away. Martin stood in the doorway for nearly a minute, straining his eyes, straining his ears, but the manifestation had gone. The apartment was silent, the mirror reflected nothing more than the sitting room door and part of the wall and a 1937 poster for
Sunshine Serenade
.
‘
You’re … Whistlin’ Dixie
…’ whispered the faintest of echoes; and it might have been nothing more than a truck horn blaring, far across the valley, or the early morning wind blowing under the door.
Martin looked around his bedroom, although he knew that he wouldn’t find anything. The spirit of the mirror had gradually evaporated with the false dawn. He went back into the sitting room and looked at it, gilded and baroque and full of its own secrets.
He could take it back to Mrs Harper, he supposed; but she would probably insist that a contract of sale was a contract of sale, and refuse to return his money. He could try to sell it to Ramone Perez at The Reel Thing, but he doubted if Ramone would give him more than a couple of hundred bucks for it. Or he could take it down to the city dump and heave it onto the smoldering piles of trash and forget that he had ever seen it.
But, cautiously laying his hand on it, he began to feel that this mirror and all its mysteries were a burden which he had been chosen by destiny to accept. Not great historical destiny; not the kind of destiny which had steered the lives of Julius Caesar or Alexander the Great or George Washington; but that quirky, accidental, walked-through-door-A-instead-of-door-B destiny that affects the lives of almost all of us. The mirror had been hanging in Mrs Harper’s cellar waiting for him, ever since he was small. He had gone to school, played ball, grown up, started writing teleplays, argued with Morris Nathan, and all the time the mirror had been there, waiting for that phone call, waiting for those last few steps up Mrs Harper’s cracked concrete path.
Grunting with effort, he dragged the mirror back to the wall where it had been hung before, propped it up on his typewriter case, just as he had before, and screwed it back into place. Then he tossed his screwdriver back into his desk drawer and went through to the kitchen. He opened up the refrigerator, took out a carton of deeply chilled orange juice, and drank almost half of it straight from the carton. His palate ached with the cold, and he stood in the middle of the kitchen for a while with his hand clamped over his mouth, his eyes watering.
‘You’re a martyr,’ he told himself. ‘You know that?’
He went back to the bedroom, loosened the sash of his bathrobe, and straightened his futon. Above him, Boofuls smiled up at heaven, with his golden curls and his wide eyes and his white, heart-shaped face.
‘Could be that you’ve scared me just a
little
,’ Martin admitted.
Then he frowned at the poster more closely. He stood on his futon, and raised his hand, and gently touched the paper with his fingertips. Beneath Boofuls’ eyes it was dimpled, as if it had been moistened and then left to dry.
He stared at Boofuls for a very long time. ‘Could be that you’ve scared me a hell of a lot.’
Later that morning he drove over to Morris’ house with the rewritten
A-Team
script. It was roastingly hot, and he walked up Morris’ pathway between the red-flowering bougainvillea, feeling exhausted and irritable. Alison was lying on her inflatable sunbed, slowly rotating on the pool, her nose gleaming with sunscreen like a white beacon. A stereo tape player on the diving board played music from
Cats
.
He found Morris in the white Mexican-tile solarium reclining on a huge white ottoman surrounded by white telephones and stacks of multicolored screenplays. Morris was swathed in white toweling, and he was feeding himself with small green grapes.
‘Good morning, Morris,’ he said, dropping the rewrite onto the floor beside him.
‘Ah, just the man I was looking for,’ Morris replied. ‘Pull up a seat.
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