entrance, the stalker slowly came forward.
Its heavy breathing was amplified by the curved concrete walls of the culvert. Chrissie breathed shallowly through her open mouth lest she reveal her presence.
Suddenly, only ten feet into the tunnel, the stalker spoke in a raspy, whispery voice and with such urgency that the words were almost run together in a single long string of syllables: "Chrissie, you there, you, you? Come me, Chrissie, come me, come, want you, want, want, need, my Chrissie, my Chrissie."
That bizarre, frantic voice gave rise in Chrissie's mind to a terrifying image of a creature that was part lizard, part wolf, part human, part something unidentifiable. Yet she suspected that its actual appearance was even worse than anything she could imagine.
"Help you, want help you, help, now, come me, come, come. You there, there, you there?"
The worst thing about the voice was that, in spite of its cold hoarse note and whispery tone, in spite of its alienness, it was familiar. Chrissie recognized it as her mother's. Changed, yes, but her mother's voice just the same.
Chrissie's stomach was cramped with fear, but she was filled with another pain, too, that for a moment she could not identify. Then she realized that she ached with loss; she missed her mother, wanted her mother back, her real mother. If she'd had one of those ornate silver crucifixes like they always used in the fright films, she probably would have revealed herself, advanced on this hateful thing, and demanded that it surrender possession of her mother. A crucifix probably would not work because nothing in real life was as easy as in the movies; besides, whatever had happened to her parents was far stranger than vampires and werewolves and demons jumped up from hell. But if she'd had a crucifix, she would have tried it anyway.
"Death, death, smell death, stink, death …"
The mother-thing quickly advanced into the tunnel until it came to the place where Chrissie had stepped in a slippery, putrefying mass. The brightness of the shining eyes was directly related to the nearness of moonlight, for now they dimmed. Then the creature lowered its gaze to the dead animal on the culvert floor.
From beyond the mouth of the drain came the sound of something descending into the ditch. Footfalls and the clatter of stones were followed by another voice, equally as fearsome as that of the others the stalker now hunched over the dead animal. Calling into the pipe, it said, "She there, there, she? Whatfound, what, what?"
"… raccoon …"
"What, what it, what?"
"Dead raccoon, rotten, maggots, maggots," the first one said.
Chrissie was stricken by the macabre fear that she had left a tennis-shoe imprint in the rotting muck of the dead raccoon.
"Chrissie?" the second asked as it ventured into the culvert Tucker's voice. Evidently her father was searching for her across the meadow or in the next section of the forest Both stalkers were fidgeting constantly. Chrissie could hear them scraping—claws?—against the concrete floor of the pipe. Both sounded panicky, too. No, not panicky, really, because no fear was audible in their voices. Frantic. Frenzied. It was as if an engine in each of them was racing faster, faster, almost out of control.
"Chrissie there, she there, she?" Tucker asked.
The mother-thing raised its gaze from the dead raccoon and peered straight at Chrissie through the lightless tunnel.
You can't see me, Chrissie thought-prayed. I'm invisible.
The radiance of the stalker's eyes had faded to twin spots of finished silver.
Chrissie held her breath.
Tucker said, "Got to eat, eat, want eat."
The creature that had been her mother said, "Find girl, girl, find her first, then eat, then."
They sounded as if they were wild animals magically gifted with crude speech.
"Now, now, burning it up, eat now, now, burning," Tucker said urgently, insistently.
Chrissie was shaking so badly that she was half afraid they would hear the shudders that rattled
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