Manhattan in Reverse

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Authors: Peter F. Hamilton
Tags: Fiction, General, Science-Fiction, Short Stories
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particular venture. I’d even been involved in the preliminary negotiations. ‘A nightmare. But we’ll get there in the end.’
    ‘Just like Justin’s murder?’
    ‘Yes.’

    THREE
     
    GANYMEDE AD 1920
     
    My journey out to Jupiter was an astonishing experience. I’d been in space before, of course, visiting various low Earth orbit stations which are operated by the family, and twice to our moonbase. But even by current standards, a voyage to a gas giant was considered special.
    I took a scramjet-powered spaceplane from Gibraltar spaceport up to Vespasian in its six-hundred-mile orbit. There wasn’t much of the original asteroid left now, just a ball of metal-rich rock barely half a mile across. Several mineral refineries were attached to it limpet-fashion, their fusion-reactor cooling fins resembling black peacock tails. In another couple of years it would be completely mined out, and the refineries would be manoeuvred to the new asteroids being eased into Earth orbit.
    A flotilla of industrial and dormitory complexes drifted around Vespasian, each of them sprouting a dozen or more assembly platforms. Every family on Earth was busy constructing more micro-gravity industrial systems and long-range spacecraft. In addition to the twenty-seven moonbases, there were eight cities on Mars and five asteroid colonies; each venture bringing some unique benefit from the purely scientific to considerable financial and economic reward. Everyone was looking to expand their activities to some fresh part of the solar system, especially in the wake of the Caesar settlement claim.
    Some of us, of course, were intent on going further still. I saw the clearest evidence of that as the Kuranda spiralled up away from Earth. We passed within eight thousand miles of what the planetbound are calling the Wanderers Cluster. Five asteroids in a fifty-thousand-mile orbit, slowly being hollowed out and fitted with habitation chambers. From Earth they appeared simply as bright stars performing a strange slow traverse of the sky. From the Kuranda (with the aid of an on-board video sensor) I could clearly see the huge construction zones on their surface where the fusion engines were being fabricated. If all went well, they would take two hundred years to reach Proxima Centari. Half a lifetime cooped up inside artificial caves, but millions of people had applied to venture with them. I remained undecided if that was a reflection of healthy human dynamism, or a more subtle comment on the state of our society. Progress, if measured by the yardstick of mechanisation, medicine, and electronics, seemed to be accelerating at a rate which even I found perturbing. Too many people were being made redundant as new innovations came along, or AIs supplanted them. In the past that never bothered us – after all who wants to spend four hundred years doing the same thing? But back then it was a slow transition, sliding from occupation to occupation as fancy took you. Now such migrations were becoming forced, and the timescale shorter. There were times I even wondered if my own job was becoming irrelevant.
    The Kuranda took three months to get me to Jupiter, powered by low-temperature ion plasma engines, producing a small but steady thrust the whole way. It was one of the first of its class, a long-duration research and explorer ship designed to take our family scientists out as far as Neptune. Two hundred yards long, including the propellant tanks and fusion reactors.
    We raced round Jupiter’s pale orange cloudscape, shedding delta-V as Captain Harrison Dominy Raleigh aligned us on a course for Ganymede. Eight hours later when we were coasting up away from the gas giant, I was asked up to the bridge. Up is a relative term on a spaceship which wasn’t accelerating, and the bridge is at the centre of the life-support section. There wasn’t a lot of instrumentation available to the three duty officers, just some fairly sophisticated consoles with holographic

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