fragrant-feeling back, under the wilted shirt, âI am beset by a sense of duality, because our mutual body language belies the content of our conversation.â
âWeâll stop talking,â Molly suggested.
*Â Â Â *Â Â Â *
âTell you what,â Molly said, turning efficient after the expiration of the moral equivalent of twenty-three pages.
âWhat,â Fred said drowsily.
âI keep remembering you running out naked into the snow that night.â
âWhat?â Fred asked, almost sitting up.
âThe night you caught the man watching my house.â
âI put my pants on,â Fred protested.
âThatâs irrelevant,â Molly said. âWhat I remember is my man naked as Adamâs off-angel, with knobs on, standing in a scurry of snow in the middle of the dark streetâthe snow in the streetlight makes a halo of white feathers around you, Fred. Thatâs what I remember. As if it was yesterday.â
Fred stared into the roomâs muddle of darkened forms.
âYou were on your way to meet the other witches,â Molly said. She went to sleep.
9
Oona, in her front window, beckoned to Fred as she saw him passing, carrying a large container of espresso from Chicoâs. Jesus, thatâs fast, Fred thought, pushing the door open and listening to its bell ching. They came in again? It was not yet ten oâclock. Oona shouldnât be open.
âFred Taylor, Iâm in love,â Oona said. She blushed. She was in black watered silk, which set off the blush. She clasped her rotund hands, beaming like a farm wife pleased by productivity on the part of her gang of chickens.
âIâm glad for you,â Fred said. He dodged a collection of andirons, stepping aside to let Oona get to her street door and lock it.
âNo, not like that,â Oona said. âMy little thing rests on its laurels. But nevertheless, Fred Taylor, this confirmed widow is in love.â
Oona had never entrusted anything remotely confidential to him. Fred took a sip of his coffee, black and bitter.
âI have slivovitz to put in that, Fred Taylor,â Oona offered.
âThanks, maybe not,â Fred said.
âMr. Clayton Reed, the man you are working for,â Oona whispered, leading Fred toward the back room. âHe came in yesterday pretending to be someone else, in order to trick from me my secret of the squirrel, and I am in love. I had not dreamed such a man could exist outside of fiction. He isâhe is, I do not know which, the Wooden Prince or the Miraculous Mandarin?â
Fred sat next to the desk while Oona installed herself behind it, where she could see to the street. The desk was covered with china salt-and-pepper shakers in the forms of birds and animals. âItâs a collection I bought,â Oona said. âMostly American, mostly 1950s, but people like them.â She shrugged.
âHow about Wooden Mandarin?â Fred suggested. âAs a compromise. For Clayton Reed.â
âYou are making fun,â Oona said. âIt was love at first sight. Immediately I knew him, strutting like a stork who has just swallowed a fat frog filled with eggs and does not wish you to guess what pond he fished it in. And he was whistling an air from Szekelyfono, which not everyone can do, Fred Taylorânot on purpose, as he did it, in order to win my heart with a Magyar melody. I wept.â Bright tears even now stood in the corners of Oonaâs eyes, and broadened their normal brilliance. âFor Kecskemét is also my hometown.â
Oona sighed and gazed past Fred toward distant Hungarian fields just the other side of Charles Street.
âI must tell you I am partially bewildered,â Fred said.
âNaturally,â Oona said magnanimously. She began marking prices on paper labels and sticking them onto salt-and-pepper shakers, which she coupled with rubber bands.
âSeven-fifty?â Fred exclaimed,
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