their hooks. A ship a quarter mile long passes an island with a scraggly sapling, its roots thirsty in the sand or bare upon granite piles.
Her street is cobbled. Itâs like a residential oasis in a desert of dead trade. The oaks and birches are thick with leaves. An air conditioner hums and rattles somewhere behind them. An older man sits on his stoop. She stops in front of a narrow townhouse.
âThis is it.â
She starts to the stoop and turns. She closes her eyes and tilts back her headâwaiting for a summer breeze. It doesnât come. She waves. âBye.â She comes back to me. She wants a kiss goodnight. I bend for her and give her my cheek. She rubs her cheek against mine and says bye again, too loudly in my ear. I step back. She ascends the stairs, finds her keys, unlocks the door, and disappears.
There are ghosts on the street tonight. Thereâs a giant moon in the eastern sky, low and orange. It throws light on the asphalt, light and shadows of tree leaves and telephone wires. My father ran out on us when he was the age I am now, but he didnât have the heart to just go. First he went to the couch, then to the Ramada, and only after adecade of coming in and out of my life did he finally allow himself to completely disappear. Then he returnedâagainâfor my wedding and stood with me and the minister and Gavin behind what was left of an old farmhouse, the stone foundation wall. I hadnât seen him in six years and in that time heâd lost his hair, his teeth, and I thought any claim to me as a son.
I gave Claire my motherâs ring, a white gold band with the worldâs smallest diamond. And her face fell like Iâd just broken her heart, but then the smile cameâlong, trembling. I remember being quiet, staying quiet, waiting for her to speak, but she didnât. She kept looking from her ringed finger to meâback and forth.
She wore ivory. It took place at Edithâs in a clearing, just before the rosehips and the dunes. It was five thirty and an August storm was rolling north up the coast. I could hear thunder booming from Rhode Island. Edith gave her daughter away. Claireâs veil whipped about her head in the wind. Above us seabirds squawked and flew inland as the clouds rolled outâcharcoal and billowy. I looked out at the congregation, my family on one side, hers on the other. We read our vows and we kissed and the clouds burst. After the rain, a double rainbow appeared with one foot in the little guery pond and the other out in Buzzards Bay. In the receiving line people commentedâas though their observations were originalâon the auspicious beginnings of our union. We shook hands with people. We hugged people. And Claire seemed to be truly happyâraindrops or tears on the end of her swooping nose, unblinking green eyes. Her cheeks were like two suns at magic hourâwhat the day was fading into. Double rainbows: double rosy suns. Her grandfather was the only one who shot straight.
âI think I gave you silver.â
âThank you, sir.â
âTwelve or sixteen settings. Youâll see soon enough.â
âThank you, grandpa.â
âYou know, heâd said, taking in her cheeks or the rainbows behind. Itâs going to be an awfully rough road to hoe.â
Claire read when he died. âLittle Giddingââthe fifth movement. Sheâd announced in the pulpit of the old barn church, and the congregation had smiled and nodded in approval, âWhat we call the beginning is often the end / And to make an end is to make a beginning. / The end is where we start from . . .â She read it with lock-jawed precision. I had typed it out for her the night before on bond paper and left it sitting beside her coffee and grapefruit that morning. âEvery poem an epitaph. And any action / Is a step to the block, to the fire, down the seaâs throat / Or to an illegible stone: and this is where
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