donât want to.â
âIf it would hurt the Company men? Hurt them where theyâd really feel it, in their profits?â She felt anger flare in him, partly directed at the Company men, but partly at her for forcing this painful decision on him.
âIâm going to try to teach them to respect the cludair and their forest. Iâm going to make them feel cold fear run along their bones whenever they hear the sound of your flute. I want you to wake such terror in them that theyâll turn tail and stampede. Will you help me?â
His face flushed then paled. Unable to speak he nodded once. Then nodded again, the hunger in him so intense it battered at her. She clutched at her sliding senses and raised her shields. âGood. How long would it take to teach a cludair a simple tune?â
âGiven a youngling with some shade of gift willing to put in a lot of tedious practicing, about a week.â
Qilasc stirred impatiently, pulling Aleytys from her reverie. She looked rapidly around again.
Ghastay squatted beside Gwynnor, stroking his new flute, his fingers moving repeatedly from hole to hole, silently practicing the fingering of the tune.
Aleytys felt a quiet satisfaction that had nothing to do with her purpose here in the forest. A week ago the plainsboy couldnât have come close to the forest boy though they were near matching in age. But the teacher-pupil relationship had insensibly altered Gwynnorâs prejudices. Now he had a proprietary attitude toward Ghastay that made Aleytys want to smile. She repressed her amusement, granting him the dignity he needed. âYou ready?â
He touched the dart gun at his waist, then the flute, then smiled, a fierce, savage baring of teeth. âWhen you give word, Aleytys.â
âRemember. When the machine stops, play on a few minutes, no more. When you go, go away fast. Both of you.â
âYou think theyâll come into the forest?â
âI have no idea. If they do, thatâs what the hunters are for.â She jerked her head at the squatting cludair. âYou and Ghastay take off. I need you both to work up a good healthy terror in those bastards. If you get yourselves killed, you waste a good plan. You hear me?â
Gwynnor grinned at her. âI hear.â
âGhastay?â
The cludair boy twitched his nose and shook his shoulders, his thin lips curling up with excited glee. âI hear.â
She looked up at the tree and sighed. âGive me a leg up.â Stepping briefly onto Gwynnorâs knee, she sprang up and caught hold of the lowest limb. As soon as she was straddling it, she called down, âBegin playing when I whistle.â
âWe know, Aleytys. We know. You only told us half a dozen times.â
âHuh.â She clambered laboriously up the trunk then pulled herself out onto the familiar limb until she could see the top of the machine. As soon as she was settled, she whistled briefly.
Below, the eery, jarring music trickled up through, the thick cover of leaves and wound through the noisy clatter from the machine. It made her head ache. My god, she thought, Gwynnor was right. He knows his music. It doubled its impact as it wove in and around the harsh grinding roar of the locust machine. She saw the harvester slow to idle. A dark head came out of the cab, looked around. She could see the frown drawing the blunt features of the manâs face into a concentration of disgust. Then armored figures came lumbering around the back of the machine, energy rifles resting lightly on glittering arms, visor-protected eyes moving with trained skill along the deceitfully tranquil face of the forest.
âAll right, Shadith,â she whispered, âhere we go.â
Together they reached out, found the vulnerable places. One. Two. Shadith bubbled with glee and chose a third. Then Aleytys opened a pathway between the wire shapes. One. Two. Three. Whipping from point to point with the
Katie Oliver
Phillip Reeve
Debra Kayn
Kim Knox
Sandy Sullivan
Kristine Grayson
C.M. Steele
J. R. Karlsson
Mickey J. Corrigan
Lorie O'Clare