to use my tongue. Bill speaks through me. Every night I twank him by rubbing on a culture of his special bacilli. I lean over our desk and we write till dawn. Afternoons I read it over. I really need to start getting it keyboarded soon.â
âWhatâs the book going to be called?â was all I could think to say.
âBill hasnât decided yet.â Teage hesitated, then pressed on. âThe thing is, Gregge, heâs much more than a simulation. Iâve caught his soul? Is soul a bad word anymore? Logically, youmight expect that thereâd be no continuity of behavior from session to session. But Bill remembers. Heâs all around usâdark energy. He knows things, and even when the visible effects wear off, heâs still inside my tongue.â
Perhaps it was the effects of the champagneâor my pleasure at having Burroughs call me by nameâbut all this seemed reasonable. And, God help me, it was I myself who suggested the next step.
âMaybe you can help me twank Poe. The whole reason I came out here this summer was because I need to write a story in his style.â
âI know,â said Teage, âBill and I have been getting ready for you. Billâs known for months that youâd come tonight. The spirits are outside our spacetime, Gregge, continually prodding the world toward greater gnarliness. Inching our reality across paratime. Making your and my lives into still more perfect works of art.â He let out an abrupt guffaw, his breath like the miasma above a compost heap.
âYouâll give me a germ culture to turn my flesh into Edgar Allan Poe?â I pressed.
âItâs over here,â said Teague. âAnd maybe tomorrow youâll start typing my manuscript into your computer. Unless thereâs a complete rewrite.â
âFine,â I said, sealing our deal. âWonderful.â
The twanking culture consisted of scuzzy crud on a layer of clear jelly in a Petri dish atop a dusty green Collected Works of Poe. Teage fit a cover onto the dish and handed it to me.
âIâve got no use for this batch myself,â he said. âIâve got my mouth full enough with Burroughs.â
I peered into the dish. Fuzzy white Cheerio-sized rings. Green and orange streaks. Spots, dots, and streamers.
âYou only need a little at a time,â Teage was saying. âDig out a few grams of the culture with, like, a plastic coffee spoon, and smear it on. Careful where you put it, though. It takes hold wherever it touches. The tongueâs especially good because itâs so flexible.â
Back in my room I brewed a pot of coffee and sat down to record these events on my laptop and on the cute little minidrive that I carry with it. I once lost a yearâs work on a Poe bibliography in a hard disk crash, and now I always make a point of saving off my work as I go.
+ Â + Â +
Itâs calming to be lying here propped on the pillows of my bed, typing. Itâs a warm night; Iâm nude. The yellow lamplight burnishes the tones of my flesh. Iâve been avoiding the sight of the Petri dish on my bed stand. But now itâs time.
I poise the white plastic spoon over the culture. Rub that gunk on my tongue?
I think not.
For as soon as Teage told me the culture would alter whatever part of me it touched, I decided to use my penis.
So here we go. It stings more than I could have imagined. The sensation flutters into my loins and my solar plexus. My penis shifts and separates. A vertical break forms in the base, two flaps split off near the top.
What have I done, what have I done, what have I done?
Iâve twanked Eddie Poe into my penis.
Heâs angry, of all things. âWhat is the meaning of this conjuration?â cries Poe. âI abjure you to return me to my rest.â He glances down and sees my belly, my pubic hair, my scrotum.
âFie! Gaud, sodomite, ghoul, defiler of my grave!â
Itâs I
Dorothy Dunnett
Anna Kavan
Alison Gordon
Janis Mackay
William I. Hitchcock
Gael Morrison
Jim Lavene, Joyce
Hilari Bell
Teri Terry
Dayton Ward