about how sheâd come all the way from Houston and Rona Leigh wouldnât see her. Girl told me her sisterâs prayers were nothinâ but fake. Said lots of times the johnsâd make âem kneel in prayer, their eyes lifted to the heavens, their hands folded. Have them recitinâ the Lordâs Prayer while they wasâexcuse meâfuckinâ âem up the ass. The sister said Rona Leigh sure knew how to pray good. Real good. They all do. Hookers, I mean.
âIn my mind, Rona Leigh has played that role, on her knees, eyes lifted to heaven, prayinâ, managinâ to fool âem all, for seventeen years. And you want to know somethinâ? She hasnât slipped once. Hasnât lost her cool, hasnât got mad, hasnât told us all to go do somethinâ unmentionable to ourselves when each of her appeals to the board was tossed out. I admit I thought she would. In fact, I thought sheâd end up like a pig on a wet deck, slippinâ and slidinâ back to what she was.
âBut who knows? Pat Robertson is a highly educated man. Maybe heâs right, but I donât think so. My feelinâ is that Pat Robertson is a fool just like all the rest.â
Warden had feelings after all. All right to have them as long as they donât stray across a courtâs verdict.
The bungalow was right next to the gate. It was no more than twenty feet from State School Road.
The same four cars were in the lot. The warden said, âThis hereâs where the corrections officers park. Thereâs a big lot for visitors back up the road at the main entrance to the complex, and thatâs what the mediaâll have to be content with, come Rona Leighâs date. We have shuttle buses for visitors, but the newspaper and TV folk are goinâ to have to walk.â He smirked to himself, probably imagining Morley Safer made a fool of.
I said, âYouâre going to have a crowd right outside these windows, arenât you?â
âThe windows have shades. The night of the execution, weâll put up barricades at the end of the drive to keep the protesters and the cheerleaders out.â
He pressed the bell at the gate. The guard who came out was the same one Iâd spoken to earlier. The warden introduced him to me.
âI already had the pleasure.â I shook hands with Captain Shank.
The warden looked at me from beneath the exquisite curve of the Stetson brim. âYou been by here already, Agent?â
I would be Agent in front of the underlings.
âI came here first. I thought your office would be in the ⦠unit.â
He and the guard caught each otherâs eye. They both laughed. Captain Shank said to me, âWe donât put our wardens in the death house.â Then he turned back to his boss. âI love these Yankees, I surely do.â They laughed some more. I joined in. Iâm not a Yankee, but no Texan considers Washington, DC, as being south of the Mason-Dixon line.
The guard let us through the fence and the warden took out his key.
There were three rooms carved out of the bungalow, all in a row, identical signs on each door: OUT OF BOUNDS . Inside the first of them was the mesh cage, the holding pen, centered exactly in the middle of the room, no different from the one the men have. Rona Leigh would spend the end of her life like a zoo animal.
We walked back out to the hallway and went in the next door. It was the death chamber, and it was set to go.
The slim cot was the lone object in the room, its two paddles extending straight out at right angles, solidly primed to embrace its victim. A final embrace.
There were no such paddles on the first cots. But they would become a necessity. Itâs hard enough to get an IV drip into a relaxed still arm, let alone a flailing one. When Iâd watched a condemned man secured to an identical cot and paddles, the whole scene took on the feel of a new-age crucifixion.