more than she’ll ever know about you.” At red lights she turned to reassure the cat, who lay chagrined and shedding in the passenger’s seat. Ahead of them a station wagon moved slowly, and Jane noticed in the back of it a little girl waving and making faces out the rear window. Jane waved and made faces back, sticking out her tongue when the little girl did, pulling strands of hair into her face, and winking dramatically first on one side and then the other. After several blocks, Jane noticed, however, that the little girl was not really looking at
her
but just generally at the traffic. Jane re-collected her face, pulled in her tongue, straightened her hair. But the girl’s father, at the wheel, had already spied Jane in his rearview mirror, and was staring, appalled. He slowed down to get a closer look, then picked up speed to get away.
Jane got in the other lane and switched stations on the radio, found a song she liked, something wistful but with a beat. She loved to sing. At home she had the speakers hooked up in the kitchen and would stand at the sink with a hollow-handled sponge filled with dish detergent and sing and wash, sing and rinse. She sang “If the Phone Don’t Ring, I Know It’s You” and “What Love Is to a Dove.” She blasted her way through “Jump Start My Heart,” humming on the verses she didn’t know. She liked all kinds of music. When she was a teenager she had believed that what the Muzak station played on the radio was “classical music,” and to this day her tastes were generous and unjudging—she just liked to get into the song. Most of the time she tried not to worry about whether people might hear her, though an embarrassing thing had happened recently when her landlord had walked into the house, thinking she wasn’t home, and caught her sing-speaking in an English accent. “Excuse me,” said the landlord. “I’m sorry.”
“Oh,” she said in reply. “I was just practicing for the—Are you here to check the fuse box?”
“Yes,” said the landlord, wondering who it was these days he was renting his houses out to.
Jane had once, briefly, lived in western Oregon but had returned to the Midwest when she and her boyfriend out there had broken up. He was a German man who made rocking horses and jungle gyms and who had been, like her, new to the community. His English was at times halting and full of misheard vernacular, things like “get town” and “to each a zone.” One time, when she’d gotten all dressed up to go to dinner, he told her she looked “hunky-dorky.” He liked to live dangerously, always driving around town with his gas tank on E. “Pick a lane and do stay in it,” he yelled at other drivers. He made the worst coffee Jane had ever tasted, muddy and burned, but she drank it, and stayed long hours in his bed on Sundays. But after a while he took to going out without her, not cominghome until two a.m. She started calling him late at night, letting the phone ring, then driving around town looking for his car, which she usually found in front of a tavern somewhere. It had not been like her to do things like this, but knowing that the town was small enough for her to do it, she had found it hard to resist. Once she had gotten into the car and started it up, it was as if she had crashed through a wall, gone from one room with rules into another room with no rules. When she found his car, she would go into the tavern, and if she discovered him at the bar with his arm flung loosely around some other woman, she would tap him on the shoulder and say, “Who’s the go-go girl?” Then she’d pour beer onto his legs. She was no longer herself. She had become someone else, a wild West woman, bursting into saloons, the swinging doors flipping behind her. Soon, she thought, bartenders might fear her. Soon they might shout out warnings, like sailors facing a storm:
Here she comes!
And so, after a while, she left Oregon and came back here alone. She rented a
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