large hammer so Liesl would at least be able to get her teeth through it. “Little girls ain’t made to be locked up in attics like bats in the belfry. It’ll bring bad luck on us all, you wait and see.”
Milly was always saying, too, that something should be done , though her declarations never went further than that. Times were hard, jobs were few, and people all over the city were starving. If the servants in Augusta Morbower’s employ had to deal with the specter of a pale, small child who lived in the attic—well, there were worse things.
(That was the kind of world they lived in: When people were afraid, they did not always do what they knew to be right. They turned away. They closed their eyes. They said, Tomorrow. Tomorrow, perhaps, I’ll do something about it. And they said that until they died.)
Privately, Karen suspected that Liesl was a ghost, as she was very superstitious. Everyone was superstitious in those times of grayness and dark, when the sun had long ago stopped shining, and the color had slowly drained from the world.
True, Karen did not know of any ghosts who ate, and Liesl was always cleaning her plate of whatever food was placed there, no matter how disgusting or half-rotten. And true, too, that on the few occasions when Karen had been forced to touch the girl (twice when she had caught a fever; once when some of the fish Milly had sent up had been spoiled, and the girl had been ragingly sick for a whole day), Liesl had felt solid enough. But all in all, seeing Liesl gave Karen an uncomfortable, prickly feeling she could not quite identify: a feeling that reminded her of the time she had been caught by the nuns at her school stealing a chocolate chip cookie from Valerie Kimble’s lunch basket—a feeling of being watched, and judged.
That was why she so dreaded her twice-daily trips up the narrow attic stairs, and why, as much as possible, she tried to come only when she knew the girl would be sleeping.
It was just after five thirty in the morning when she began making her way carefully up the stairs, balancing the tray, which today contained a bit of bread mixed with hot water to form a pasty porridge, and the usual few sips of milk. The house was even quieter than usual, and the shadows seemed to Karen particularly strange and black and huge. Suddenly she felt something brush her ankle and she jumped, nearly dropping the tray; a cat meowed in the darkness and she heard the scrabbling of paws on the wood, moving past her down the stairs. She exhaled. It was only Tuna, the mangy cat who had been informally adopted by the kitchen staff and who occasionally roamed the house at night, when Augusta wasn’t around to give him a swift kick in the belly.
“Nothing but a kitty,” Karen muttered to herself. “A little bitty kitty.” But her heart was hammering, and she felt sweat pricking up under her arms. Something was wrong in the house this morning. She felt it; she knew it.
It was the ashes, she realized: that pile of ashes sitting in the wooden box on the mantel. It wasn’t right; it wasn’t natural . Like having a dead person propped up in the living room. And didn’t ghosts always hover around their bodies? Even now, the master of the house could be watching her, tiptoeing up the stairs, ready to wrap his dark and ghostly fingers around her exposed neck. . . .
Something brushed against her cheek, and she cried out. But it was just a draft, just a draft.
“No such thing as ghosts,” she whispered out loud. “No such thing as ghosts.”
But it was with a feeling of dread and terror that she climbed the last three steps to the attic and carefully unlocked the door with the large skeleton key she kept in her apron pocket.
Several things happened quickly, one right after the other.
Liesl, who was sitting up in bed, not lying down with her eyes closed as she should have been, said, “Hello.”
Po, standing directly next to her in the darkness, concentrated with all its
Nicole MacDonald
Amy Woods
Gigi Aceves
Michelle Sagara
Marc Weidenbaum
Mishka Shubaly
S F Chapman
Trish Milburn
Gaelen Foley
Jacquelyn Mitchard