Les Guerilleres

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Authors: Monique Wittig
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processions come and go, some bringing pitch, others water to extinguish the fires. The combatants are visible above the wall, singing without pause, their mouths wide open over white teeth. Their cheeks still glow in their blackened faces. Some laugh out loud and manifest their aggressiveness by thrusting their bare breasts forward brutally.
    The women say, the men have kept you at a distance, they have supported you, they have put you on a pedestal, constructed with an essential difference. They say, men in their way have adored you like a goddess or else burned you at their stakes or else relegated you to their service in their back-yards. They say, so doing they have always in their speech dragged you in the dirt. They say, in speaking they have possessed violated taken subdued humiliated you to their hearts' content. They say, oddly enough what they have exalted in their words as an essential difference is a biological variation. They say, they have described you as they described the races they called inferior. They say, yes, these are the same domineering oppressors, the same masters who have said that negroes and women do not have a heart spleen liver in the same place as their own, that difference of sex difference of colour signify inferiority, their own right to domination and appropriation. They say, yes, these are the same domineering oppressors who have written of negroes and women that they are universally cheats hypocrites tricksters liars shallow greedy faint-hearted, that their thinking is intuitive and illogical, that nature is what speaks most loudly in them, et cetera. They say, yes, these are the same domineering oppressors who sleep crouched over their money-bags to protect their wealth and who tremble with fear when night comes.

    OEDIPA PERNETTA MERCY
    GERMAINE DAPHNE CYNTHIA
    SHIRLEY NIOBE HARRIET
    ROXANA CAROLINE HULDA
    DAISY PRAHOMIRA MANYE
    FLORENCE SHADTAR ASTA

    The women are on their cavorting continually rearing horses. They proceed without orders to meet the enemy army. They have painted their faces and legs in bright colours. The cries they utter are so terrifying that many of their adversaries drop their weapons, running straight before them stopping their ears. The women are on the ridges that command the pass. In this strategic position which is all to their advantage they draw their bows and fire thousands of arrows. Then the army breaks ranks.
    The men all begin to run in the greatest confusion, some go towards the exit from the pass, others try to retrace their steps. They jostle and collide with each other as they flee, they stumble over the bodies of the dead and wounded. Orders are no longer heard. Cries of despair panic shrieks of pain are heard. Many throw down their swords that hamper them in flight. Some climb on the hills making signs of surrender, they are soon slaughtered. When the bottom of the valley has become a charnel-house the women brandish their bows above their heads, they utter shouts of victory, they chant a song of death in which these words are heard, Vulture with the bald head/brother of the dead/vulture perform your office/with the corpses I offer you/receive also this vow/never shall my arrow be planted in your eyes.
    The Ophidian women the Odonates the Oögones the Odoacres the Olynthians the Oöliths the Omphales the women of Ormur of Orphise the Oriennes have massed and gone over to the attack. The convoys that follow them bring arms victuals clothes. They travel at night, rejoining the armies at daybreak when they withdraw after having given battle. Their most formidable weapon is the ospah. They hold it in position above their heads and rotate it at full speed by twirling the right arm as with a lasso that one spins before one or like the leather thong with bolos attached that one throws round the legs of wild horses to trip them. The ospah is invisible so long as it is not in action. When it is manipulated during battle it materializes as a green circle

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