L.A. Noir

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Authors: John Buntin
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station even had a special cell where such beatings occurred. “Screams have been heard and complaints from prisoners are frequent,” reported one investigation of jail conditions.
    Parker would later describe this period as “the bad old good old days.”
    Remarkably, the LAPD was actually less violent than most big-city police departments. In Chicago, prisoners were routinely beaten with phone books, manacled and hung from pipes, and teargassed. Still, Los Angeles was clearly not a city where people were equal under the law. Parker soon came to the sickening realization that Los Angeles “was in the clutch of hoodlums.”
Dumb
hoodlums: IQ tests administered in the early twenties found that a significant number of police officers were “low-grade mental defectives.”
Drunken
, dumb hoodlums. Sometimes, Parker would later recall, “I was the only sober man in the office.”
    Not reassuring words from a man who was almost certainly an alcoholic.
    Parker’s second arrest was more successful. Gazing out the window as he was riding home on one of the yellow Los Angeles Railway streetcars that crisscrossed the city, Parker noticed a man running toward his streetcar, carrying a woman’s fur coat. Panting heavily, the man stepped onto the streetcar. He was a big guy—over six feet tall, probably weighing at least two hundred pounds—with long arms; small, deep-set eyes; and a broad chest. Something about him looked familiar. Then Parker realized that he matched the description of a man wanted by the San Francisco police who had terrorized the city for weeks by attacking people with a long knife.
    Parker edged over to the man and asked, in what he hoped was a casual voice, “Say, where’d you get that coat?”
    “What’s it to you?” the man snarled, turning away.
    Parker told the man he was a policeman and patted him down. He found—and confiscated—a long-bladed knife. Convinced that he had happened across the wanted man, Parker signaled for the motorman to stop—and informed the suspect that he was under arrest. Then he pulled the man off the streetcar and dragged him, “protesting and resisting,” to a police call box, where he called for a patrol wagon. At police headquarters, the department confirmed that Parker had nabbed the man San Franciscan papers had taken to calling Jack the Ripper.
    It was a major coup for a rookie officer. His superiors, doubtless, were not pleased. A rookie had no right to make such an arrest: A savvier officer would have allowed a more senior officer to take the credit. But then no one thought Bill Parker was savvy; on the contrary, he was either one ofthe dumbest men on the force or one of the most obstinate. Either way, he needed to be taught a lesson. So when Central Division got word one day that a shopkeeper had taken two employees hostage, the lieutenant on duty knew just who to send.
    “He’s got a repeating shotgun,” the lieutenant said. “Take it away from him and bring him in.”
    “Yes, sir,” Parker responded, and hurried to the shop.
    When Parker arrived at the store, he saw the shopkeeper through the glass of the locked door, pacing and waving his gun. The owner saw Parker, too, and yelled at him to get back. Instead of waiting for backup, Parker went up to the store and calmly knocked on the door.
    “Keep out,” the owner yelled. Parker knocked again. The man with the shotgun approached the door—and started lamenting his troubles. Parker indicated that he just couldn’t hear him clearly.
    “Open the door so I can hear you,” Parker called out to the man. As he did so, Parker rushed the gunman, grabbing the shotgun before the man could fire it. The gun was later found to contain five shells. Bill Parker had gotten lucky.
    Later that year, he got lucky in another way. At some point in 1927, Parker met Helen Schultz, an eighteen-year-old telephone exchange girl, the daughter of an Austrian immigrant furniture maker in Philadelphia. In Helen, the

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