firmly, skins you back. Her breath touches the exposed tip of your penis with condensation.
Then you arch, unable to control you own response, as she takes you to the hilt: A cold scrape of uneven bottom teeth along the underside, a liquid plunge. Back and forth, lips pulling like mist. Nothing to hold onto. And youâre so hard now, your cock feels like itâs gone numb.
Things are coming to a head, obviously; but itâs too soon. You rear up, pull her up as well, arms hooked under hers. (She comes easily, light and frail, a sex-doll stuffed with milkweed down.) Kiss her breasts as they go by, sucking hard, but provoking no visible response, not even the barest stippling of arousal along the inside of her cleavage. Nothing blooms in this gardenâstone roses only, petals turned forever inward.
Then you lie back, ready to return the favor.
For a beat, she gazes down at you from this weird Picasso angle, cut off at the knees, the wishbone triangle of legs and pelvis bound together by that pale pubic knot. Seashell furls, secretively overlapped: Put your ear down there, mister, and see what you can hear. Sunken bells? A blood-beat tide, raw and roaring?
Time to find out.
Gently, you pry her apart with both handsâspread her wide. She doesnât stop you.
(But what
would
she stop you doing?)
If her body has limits, sheâs posted no signs to indicate them. So you stare up into her mystery, put out a hesitant tongue. Taste it. Sheâs waxy and redolent with some indefinite, interior scent: Liquorice, filtered through a watercress base. Narcotized. Her juices sting, slightly.
Again, no visible response. No blush of mere physical pleasure to dampen that detached glow of hers. So you bite deeper, determined to prove you can make her come. All things being equal rights-oriented, they give prizes for that, donât they? The Orgasm Cup. Best Multiple In A Given Session. Itâs a matter of pride now, because this is beginning to remind you of Lisaâher way of absenting herself, without a spoken word or visible sign: Sure, Iâll play along, but this is your business, buddy, not mine. Just hurry up, finish up, shit or get off the pot.
Fuck you, baby.
Oh no, fuck
you
.
âThatâs enough,â she says. Sliding back. And screws herself down onto you with a swiftness that seems to surprise you both equally. You hiss, in unison. Because sheâs
tight
, hurtfully so. And dry, not slickâall friction, with a vague, talcum-powder stickiness. She churns her hips, frantically, digging around inside herself, trying to find the right button. At which point, part of you rebels.
(I mean, whose fantasy
is
this, anyways?)
So you heave yourself over, taking her with you, forcing yourself securely back in the saddleâsheet-wrapped, one of her knees jammed up against your ribcage. Deeper than youâd thought possible. She hums approval; you can feel it through your sternum, an interior caress. The sheets erase a different view of her face with every thrust. Grasping for her elusive wrists, you wind up just getting still more ells of fabric, looping yourself ever further inward: Bed of lies, bed of nails, bed of quicksand.
âCall me,â she says, with barely a catch, between the bellows-rush of your own panting. âLike you used to. Call meââ
âHoneyââ
âSlut.â
A feather-touch at either palm, steering them inward. Another ripple of speech, intimate and infected, rising up your arms like an arthritic seizure.
âNow hold me like you used to, baby.â
As she makes a choker of your hands, centering your thumbs on her larynx.
âHold me. Hard. Hold me. Tight.â
(That black-lettered yellow streak of plastic banner drooping, snapped, by one side of the front door. That front hall carpeted with dead insects. The distinct lack of footprints, other than your own, in the dust beneath you as you mounted the rickety stairs.)
And
Matt Drabble
Kasey Michaels
Tom Bale
Nia Davenport
Cat Johnson
Kate Forsyth
Loy Ray Clemons
Louis L'amour
Melody Carlson
G.M. Ford