worth the wait. Diane Shipley was every private investigatorâs dream. She lived at the head of Sutcliffe Court, her bungalow commanding a view of the whole close. With a corner of my brain, I had noted the raised flower beds and the ramp leading up to the front door, but it still didnât stop me having my eyes at the wrong level when the door opened. I made the adjustment and found myself staring down into a face like a hawk; short, salt and pepper hair, dark beady eyes, deep set and hooded, narrow nose the shape of a puffinâs beak, and, incongruously, a wide and humorous mouth. The woman was in a wheelchair, and it didnât seem to bother her in the slightest.
I delivered my usual spiel about the house next doorâs conservatory, and her face relaxed into a smile. âYou mean Rachel Brownâs conservatory?â she inquired.
I checked my list. âIâve got Rowena and Derek Brown,â I said.
âAh,â said the woman. âDirty work at the crossroads. Youâd better come in. My nameâs Diane Shipley, by the way.â
I introduced myself as I followed her down the hall. We turned left into an unusual room. It ran the whole depth of the house, with windows on three walls, giving a sensation of light and air. It was painted white, with cork-tiled flooring. The walls were decorated with beautifully detailed drawings of flowers and plants. Across one corner was a draughtsmanâs table, set at the perfect height for her chair. âI illustrate childrenâs books for a living,â she said. âThe other stuff I do for fun,â she added, gesturing at the walls. âIn case you were wondering, I had a riding accident eight years ago. Dead from the waist down.â
I swallowed. âRight. Em, sorry about that.â
She grinned. âThatâs not why I told you. I find that if I donât, people only concentrate on half of what Iâm saying because theyâre so busy wondering about my disability. I prefer a hundred percent attention. Now, how can I help you?â
I trotted out the old familiar questions. But this time, I got some proper answers. âWhen Iâm working, I tend to do a fair bit of staring out of the window. And when I see people in the court, I must confess I watch them. I look at the way their bodies move, the shapes they make. It helps when Iâm drawing action. So, yes, I noticed quite a lot about Rachel.â
âCan you describe her?â
Diane wheeled herself across to a set of map drawers. âI can do better than that,â she said, opening one and taking out an A4 file. She shuffled through the sheets of paper inside, extracted a couple and held them out to me. Curious, I took them from her. They were a series of drawings of a head, some quite detailed, others little more than a quick cartoon of a few lines. They captured a woman with small, neat features, sharp chin, face wider across the eyes. Her hair was shoulder-length, wavy. âIt was streaked,â Diane said, following my eyes. âI wondered a couple of times if it might be a wig. It always looked the same. Never looked like sheâd just been to the hairdresser. If it was a wig, though, it was a good one. You couldnât tell, not even face to face.â
âHow well did you know her?â I asked.
âAt first, not at all. She didnât spend that much time here. It was May when she moved in, and really, she was only here perhaps three or four nights a week, Monday to Friday. She was never here at weekends. Then, one evening in June, she came over. It was about half past nine, Iâd guess. She said she had a gas leak and she was waiting for the emergency engineers. She told me she was nervous of staying in, especially since they had told her not to turn any lights on. So I invited her in and gave her a drink. White wine. I had a bottle open already.â
I loved it. A witness who could tell me what sheâd had to
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