read the books which the headmaster denounced from the pulpit, and developed unorthodox opinions about the C of E, patriotism and the Old Boys’ tie. Also he began writing poetry. He even, after a year or two, began to send poems to the
Athenæum
, the
New Age
and the
Weekly Westminster
, but they were invariably rejected. Of course there were other boys of similar type with whom he associated. Every public school has its small self-conscious intelligentsia. Andat that moment, in the years just after the War, England was so full of revolutionary opinion that even the public schools were infected by it. The young, even those who had been too young to fight, were in a bad temper with their elders, as well they might be; practically everyone with any brains at all was for the moment a revolutionary. Meanwhile the old—those over sixty, say—were running in circles like hens, squawking about ‘subversive ideas’. Gordon and his friends had quite an exciting time with their ‘subversive ideas’. For a whole year they ran an unofficial monthly paper called the
Bolshevik
, duplicated with a jellygraph. It advocated Socialism, free love, the dismemberment of the British Empire, the abolition of the Army and Navy, and so on and so forth. It was great fun. Every intelligent boy of sixteen is a Socialist. At that age one does not see the hook sticking out of the rather stodgy bait.
In a crude, boyish way, he had begun to get the hang of this money-business. At an earlier age than most people he grasped that
all
modern commerce is a swindle. Curiously enough, it was the advertisements in the Underground stations that first brought it home to him. He little knew, as the biographers say, that he himself would one day have a job in an advertising firm. But there was more to it than the mere fact that business is a swindle. What he realised, and more clearly as time went on, was that money-worship has been elevated into a religion. Perhaps it is the only real religion—the only really
felt
religion—that is left to us. Money is what God used to be. Good and evil have no meaning any longer except failure and success. Hence the profoundly significant phrase, to
make good
. The decalogue has been reduced to two commandments. One for the employers—the elect, the money-priesthood as it were—‘Thou shalt make money’; the other for the employed—the slaves and underlings—‘Thou shalt not lose thy job.’ Itwas about this time that he came across
The Ragged Trousered Philanthropists
and read about the starving carpenter who pawns everything but sticks to his aspidistra. The aspidistra became a sort of symbol for Gordon after that. The aspidistra, flower of England! It ought to be on our coat of arms instead of the lion and the unicorn. There will be no revolution in England while there are aspidistras in the windows.
He did not hate and despise his relatives now—or not so much, at any rate. They still depressed him greatly—those poor old withering aunts and uncles, of whom two or three had already died, his father, worn out and spiritless, his mother, faded, nervy and ‘delicate’ (her lungs were none too strong), Julia, already, at one-and-twenty, a dutiful, resigned drudge who worked twelve hours a day and never had a decent frock. But he grasped now what was the matter with them. It was not
merely
the lack of money. It was rather that, having no money, they still lived mentally in the money-world—the world in which money is virtue and poverty is crime. It was not poverty but the down-dragging of
respectable
poverty that had done for them. They had accepted the money-code, and by that code they were failures. They had never had the sense to lash out and just
live
, money or no money, as the lower classes do. How right the lower classes are! Hats off to the factory lad who with fourpence in the world puts his girl in the family way! At least he’s got blood and not money in his veins.
Gordon thought it all out, in the
Kate Lebo
Paul Johnston
Beth Matthews
Viola Rivard
Abraham Verghese
Felicity Pulman
Peter Seth
Amy Cross
Daniel R. Marvello
Rose Pressey