around.
âAround here, people say things without thinking, so itâs best to listen to what they mean instead of what they say. I didnât mean anything bad about your friend, though I can understand why youâd think so,â he apologizes. âSee ya,â he adds, and then he disappears over the crest without waiting for a reply.
On the way back to the house, I think about what he said. I donât know why I got so upset about it. It wasnât like he used a derogatory term or anything. I wonder if Art gets offended if people call him that. I want to ask him, but I donât know if that would offend him. I wonder if even wondering about it makes me prejudiced. So I stop.
I start thinking about Moonlight Palace buried in the sand. How fast was it buried? Was there stuff still inside it? Was it a big hall? Did it have a chandelier? And what about going back in time? Yeah, I know it sounds stupid, but what if?
A strong smell tantalizes me, and I look up to see that Art has a grill set up over the campfire. On the grill are a couple of steaks, a tofu somethingâI imagine itâs Aunt Guinâsâand potatoes wrapped in tinfoil. The smell of garlic hangs in the air.
âWhereâs the garlic?â I ask him.
âIn the potatoes. Do you like garlic?â
âMom used to cook with a lot of garlic.â
âIs that a yes or a no?â
âI guess,â I respond. I try and remain indifferent whenâever possible. It makes it easier for me to change my mind without risking ridicule.
âArt, do youâ¦?â I want to ask if being called an albino bothers him. I want to ask what itâs like. I want to ask a lot of things, but all the words are stuck at the bottom of my throat, arguing with each other as to whoâs going to go first, all terrified of what they may face.
âNothing,â I finally say.
He smiles and checks the potatoes with a fork. âOkay.â
âI meanâ¦never mind.â
âWhen words become land mines, even your allies have to watch their step. I assure you that this field has been swept.â
âDo you mind being called an albino?â I blurt out.
âIt all depends on which adjective is attached,â he says, smiling. âItâs not the word that offends, or at least it shouldnât be. Itâs the sentiment behind it.â
âThatâs kind of what he said.â
âWho?â
âThe boy in the dunes.â
âA boy in the dunes, eh?â he says, his smile now telling me there are more uncomfortable questions on the wayâ this time directed at me.
âThere you are,â Aunt Guin says, just in the nick of time. Sheâs balancing a bottle of wine and a Coke on some plates. I jump up to help her.
âI was starting to get worried,â she says.
âI thought you had too much faith to ever worry,â Art says playfully.
âItâs not faith that saves me but a complete lack of understanding,â Aunt Guin says.
âKnowing you know nothing is the greatest underâstanding of all,â Art replies.
âSo youâre saying that by knowing I know nothing, I know everything there is to know. Thatâs quite a paradox,â
Aunt Guin says.
âItâd have to be. One duck would never be enough.â
Aunt Guin looks over to the grill. âI see youâre having bull tonight.â
âYou can say that again,â I say under my breath, but not far enough under, and they both look over at me, then back at each other.
âShe may have a point,â Art says.
âThereâs no way of knowing,â Aunt Guin replies, and I catch them smiling.
Chapter Fourteen
A fter dinner we sit around the campfire. It hypnotizes me as I watch the flames closest to the wood sway gently while those farthest from the embers reach desperâately for the sky. The occasional spark actually breaks away into the night to become one of
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