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Soho, but his jive was pure Malibu surf talk. âLargeâ was the word of the year, rapidly replacing âawesome,â which had ousted âoutstandingâ around 1985. Iâve always found, though, when dealing with someone like Lloyd, that it pays to let him be one step ahead â if, that is, you want something from him.
âSo, youâve got a record contract for them. Hey, thatâs really great, man. Itâs about them I wanted ...â
âHey, donât be too previous. Who said anything about a contract?â
Boot parked his bum on the edge of a desk and put on his Sunday-best sneer.
âLloyd does it the easy way, didnât you know? Gets an album cover, gets a fan club, gets some T-shirts and then plays one recording company off against another. It helps if the band can play, but itâs not essential.â That was quite a speech for Boot.
âSomeday Iâm going to do it without a band,â grinned Lloyd.
âAnd give us decent entrepreneurs a bad name,â said Boot, dead serious, though a less likely disciple of Milton Friedman I couldnât think of. âWhich is why Iâll take cash for this job. No more percentages. Two percent of nothing is fuck-all.â
âOkay, so give me a bill, Mr B.â Lloydâs face lit up. âHey! Mr A and Mr B. What do you know!â
âAnd we all know who Mr C is,â said Boot, leaning forward to pat Lloyd on the cheek. âDonât go away, my man. Iâll get you an invoice.â
âI think the cover is great, Lloyd,â I said as Boot moved away. âAnd the band is good. I played with them the other night at the Mimosa.â
âOh yeah.â Lloyd was looking at his bandâs album cover, not too aware of me.
âThatâs why I wanted to see you,â I pushed on. âItâs the girl drummer. I need to contact her.â
âEmma? What you want with her?â
âYeah, Emma. Iâm looking for a friend of hers and she might know where she is.â
Lloyd looked up. âYou got the hots for Emma or something?â
âNo, straight up, nothing like that.â Well, that was honest enough. âItâs a friend of hers Iâm after. I just need to talk to her.â
âWell, okay, Mr A, Iâll trust you, âcos youâre not the man to jive old Lloyd here, but youâd better not hassle my protégée.â He pronounced it pro-tay-jay. âSheâs at a very delicate stage of her development, man, and I donât want the little lady upset.â
âSheâs writing songs, huh? Talented lady.â
âHell no,â laughed Lloyd. âSheâs doing her O-levels.â
Â
About the only thing Hampstead and Hackney share in common is a dropped aitch. Even the pubs in Hampstead are different, being mostly Italian restaurants that accidentally sell beer if you have the required amount of readies, which in some cases meant an Amex card had to do nicely thank you.
The address Lloyd gave me was impressive. Iâm not giving it here because Emmaâs father slipped me a few of the folding to keep his secret now that Emmaâs getting well-known in the music business. Not her secret, you note: his. He doesnât want the neighbours to know.
Anyway, the house was a big, Georgian affair that Daddy probably afforded on a two percent mortgage from the bank he worked for. It took me a while, though, before I realised that Daddy owned all of it. Iâd assumed at first that the place would be carved up into flats.
I had a bit of trouble finding a suitable parking space for Armstrong (Rule 177) among the Metro Citys and those ubiquitous VW Golfs, which Iâm sure are breeding somewhere in the backstreets, but Iâd sussed the right house, and so it was down to a frontal attack up the six wide stone steps to the door and doing something dynamic like ringing the doorbell. The sound of drums from
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