James Bond Anthology

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Authors: Ian Fleming
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that signifies. So nine plus seven equals six – not sixteen.
    ‘The winner is the one whose count is nearest to nine. Draws are played over again.’
    Vesper listened attentively, but she also watched the look of abstract passion on Bond’s face.
    ‘Now,’ Bond continued, ‘when the banker deals me my two cards, if they add up to eight or nine, they’re a “natural” and I turn them up and I win, unless he has an equal or a better natural. If I haven’t got a natural, I can stand on a seven or a six, perhaps ask for a card or perhaps not, on a five, and certainly ask for a card if my count is lower than five. Five is the turning point of the game. According to the odds, the chances of bettering or worsening your hand if you hold a five are exactly even.
    ‘Only when I ask for a card or tap mine to signify that I stand on what I have, can the banker look at his. If he has a natural, he turns them up and wins. Otherwise he is faced with the same problems as I was. But he is helped in his decision to draw or not to draw a third card by my actions. If I have stood, he must assume that I have a five, six, or seven: if I have drawn, he will know that I had something less than a six and I may have improved my hand or not with the card he gave me. And this card was dealt to me face up. On its face value and a knowledge of the odds, he will know whether to take another card or to stand on his own.
    ‘So he has a very slight advantage over me. He has a tiny help over his decision to draw or to stand. But there is always one problem card at this game – shall one draw or stand on a five and what will your opponent do with a five? Some players always draw or always stand. I follow my intuition.
    ‘But in the end,’ Bond stubbed out his cigarette and called for the bill, ‘it’s the natural eights and nines that matter, and I must just see that I get more of them than he does.’

 
    10 | THE HIGH TABLE
    While telling the story of the game and anticipating the coming fight, Bond’s face had lit up again. The prospect of at least getting to grips with Le Chiffre stimulated him and quickened his pulse. He seemed to have completely forgotten the brief coolness between them, and Vesper was relieved and entered into his mood.
    He paid the bill and gave a handsome tip to the sommelier. Vesper rose and led the way out of the restaurant and out on to the steps of the hotel.
    The big Bentley was waiting and Bond drove Vesper over, parking as close to the entrance as he could. As they walked through the ornate ante-rooms, he hardly spoke. She looked at him and saw that his nostrils were slightly flared. In other respects he seemed completely at ease, acknowledging cheerfully the greetings of the Casino functionaries. At the door to the salle privée they were not asked for their membership cards. Bond’s high gambling had already made him a favoured client and any companion of his shared in the glory.
    Before they had penetrated very far into the main room, Felix Leiter detached himself from one of the roulette tables and greeted Bond as an old friend. After being introduced to Vesper Lynd and exchanging a few remarks, Leiter said: ‘Well, since you’re playing baccarat this evening, will you allow me to show Miss Lynd how to break the bank at roulette? I’ve got three lucky numbers that are bound to show soon, and I expect Miss Lynd has some too. Then perhaps we could come and watch you when your game starts to warm up.’
    Bond looked inquiringly at Vesper.
    ‘I should love that,’ she said, ‘but will you give me one of your lucky numbers to play on?’
    ‘I have no lucky numbers,’ said Bond unsmilingly. ‘I only bet on even chances, or as near them as I can get. Well, I shall leave you then.’ He excused himself. ‘You will be in excellent hands with my friend Felix Leiter.’ He gave a short smile which embraced them both and walked with an unhurried gait towards the caisse.
    Leiter sensed the rebuff.
    ‘He’s

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