Island Beneath the Sea (2010)

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Authors: Isabel Allende
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work in the cane fields, his master sent him to herd cattle. He moved around the region, feeding on milk and fruit, until he learned to use his left hand and his toes to set traps and fashion knots to hunt rodents, reptiles, and birds. In the solitude and silence he recovered the images of his adolescence, when he had trained for war and hunting, as befitted the son of a king. His brow was high, his chest strong, he had swift legs and eagle eyes, and he grasped his lance with a firm hand. The island vegetation was different from that in the enchanted regions of his youth, but he began to experiment with leaves, roots, husks, many kinds of mushrooms, and found that some acted as cures, others provoked dreams and trances, and some killed. He always knew he was going to run away--he would rather leave his hide behind in the worst tortures than stay a slave--but he prepared with care and waited with patience for the right occasion, then finally ran to the mountains and from there initiated the uprising of slaves that was to shake the island like a terrible hurricane. He joined with other Maroons, and soon they saw the effects of his fury and his shrewdness: a surprise attack on the darkest night, the radiance of torches, the thudding of bare feet, cries, metal against chains, fires in the cane fields. The name of the Mandingo traveled from mouth to mouth, repeated by the Negroes as a prayer of hope. Macandal, the prince of Guinea, was transformed into a bird, a lizard, a fly, a fish. A slave bound to a post would see a rabbit race by before the lashing that would sink him into unconsciousness: it was Macandal, witness to his torture. An impassive iguana observed the girl who lay in the dust, raped. "Get up, wash yourself in the river, and do not forget, because soon I will come for revenge," hissed the iguana. Macandal. Decapitated roosters, symbols painted with blood, hatchets in doors, a moonless night, another fire.
    First the cattle began to die. The colonists attributed it to a lethal plant that grew hidden in the fields and began, without results, to call on European botanists and local witch doctors to find and eradicate it. Next were the horses in the stables, the mastiffs, and finally entire families were struck down. The victims' bellies swelled, their gums and fingernails turned black, their blood turned to water, their skin peeled off in strips, and they died in the grip of atrocious contortions. The symptoms did not fit with any of the illnesses that ravaged the Antilles, and they were manifest only among whites; at that point there was no doubt it was poison. Macandal, again Macandal. Men dropped dead after drinking a swallow of liquor, women and children after a cup of chocolate, all the guests at a banquet before dessert had been served. The fruit on the trees could not be trusted, nor a sealed bottle of wine; not even a cigarette, because no one knew how the poison was administered. Hundreds of slaves were tortured without telling how death entered their victims' houses, until a girl of fifteen, one of many the Mandingo visited at night in the form of a bat, when threatened with being burned alive revealed the way to find Macandal. She was burned anyway, but her confession led the militiamen to the lair of Macandal, scaling peaks and chasms like goats until they reached the ashen mountains of the ancient Arawak chieftains. They captured Macandal alive. By then six thousand persons had died. It is the end of Macandal, the whites said. We shall see, the Negroes whispered.
    The central place was small for the public that gathered from the plantations. The grands blancs made themselves comfortable under their canopies, stocked with food and drink, the petits blancs resigned themselves to sitting on the galleries, and the affranchis rented the balconies around the place that belonged to other free people of color. The best view was reserved for the slaves herded there by their masters from far away, to witness that

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