all down in a book. But best of all, suh, I got more work now than I ever did have before . . ."
He talked willingly now, with a kind of satisfaction and no trace of hesitancy or shame. The old man listened with a puzzled expression as he held an unlit cigar in his delicate fingers.
"Things is pretty good now," the farmer said. "Ever time I think of how cold it was and what a hard time we was having I gits the shakes."
I saw him bite into a plug of chewing tobacco. Something tinkled against the porch and I picked it up, gazing at it from time to time. It was a hard red apple stamped out of tin.
"You see, suh, it was cold and us didn't have much fire. Nothin' but wood, no coal. I tried to git help but wouldn't nobody help us and I couldn't find no work or nothin'. It was so cold all of us had to sleep together; me, the ole lady and the gal. That's how it started, suh." He cleared his throat, his eyes gleaming and his voice taking on a deep, incantatory quality, as though he had told the story many, many times. Flies and fine white gnats swarmed about his wound.
"That's the way it was," he said. "Me on one side and the ole lady on the other and the gal in the middle. It was dark, plum black. Black as the middle of a bucket of tar. The kids was sleeping all together in they bed over in the corner. I must have been the last one to go to sleep, 'cause I was thinking
'bout how to git some grub for the next day and 'bout the gal and the young boy what was startin' to hang
'round her. I didn't like him and he kept comin' through my thoughts and I made up my mind to warn him away from the gal. It was black dark and I heard one of the kids whimper in his sleep and the last few sticks of kindlin' crackin' and settlin' in the stove and the smell of the fat meat seemed to git cold and still in the air just like meat grease when it gits set in a cold plate of molasses. And I was thinkin' 'bout the gal and this boy and feelin' her arms besides me and hearing the ole lady snorin' with a kinda moanin' and a-groanin' on the other side. I was worryin' 'bout my family, how they was goin' to eat and all, and I thought 'bout when the gal was little like the younguns sleepin' over in the corner and how I was her favorite over the ole lady. There we was, breathin' together in the dark. Only I could see 'em in my mind, knowin' 'em like I do. In my mind I looked at all of 'em, one by one. The gal looks just like the ole lady did when she was young and I first met her, only better lookin'. You know, we gittin' to be a better-lookin' race of people . . .
"Anyway, I could hear 'em breathin' and though I hadn't been it made me sleepy. Then I heard the gal say, 'Daddy,' soft and low in her sleep and I looked, tryin' to see if she was still awake. But all I can do is smell her and feel her breath on my hand when I go to touch her. She said it so soft I couldn't be sure I had heard anything, so I just laid there listenin'. Seems like I heard a whippoorwill callin', and I thought to myself, Go on away from here, we'll whip ole Will when we find him. Then I heard the clock up there at the school strikin' four times, lonesome like.
"Then I got to thinkin' 'bout way back when I left the farm and went to live in Mobile and 'bout a gal I had me then. I was young then --like this young fellow here. Us lived in a two-story house 'longside the river, and at night in the summertime we used to lay in bed and talk, and after she'd gone off to sleep I'd be awake lookin' out at the lights comin' up from the water and listenin' to the sounds of the boats movin' along. They used to have musicianers on them boats, and sometimes I used to wake her up to hear the music when they come up the river. I'd be layin' there and it would be quiet and I could hear it comin' from way, way off. Like when you quail huntin' and it's getting dark and you can hear the boss bird whistlin' tryin' to get the covey together again, and he's coming toward you slow and whistlin' soft, cause
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