flat enough to lie down on;
still looking at him when without moving otherwise Lucas closed his mouth and his eyelids opened, the eyes staring up for another second, then still without the head moving at all the eyeballs turned until Lucas was looking straight at his uncle but still not moving: just lying there looking at him.
‘Well, old man,’ his uncle said. ‘You played hell at last.’ Then Lucas moved. He sat up stiffly and swung his legs stiffly over the edge of the cot, picking one of them up by the knee between his hands and swinging it around as you open or close a sagging gate, groaning, grunting not just frankly and unabashed and aloud but comfortably, as the old grunt and groan with some long familiar minor stiffness so used and accustomed as to be no longer even an ache and which if they were ever actually cured of it, they would be bereft and lost; he listening and watching still in that rage and now amazement too at the murderer not merely in the shadow of the gallows but of a lynchmob, not only taking time to groan over a stiffness in hisback but doing it as if he had all the long rest of a natural life in which to be checked each time he moved by the old familiar catch.
‘Looks like it,’ Lucas said. ‘That’s why I sent for you. What you going to do with me?’
‘Me?’ his uncle said. ‘Nothing. My name aint Gowrie. It aint even Beat Four.’
Moving stiffly again Lucas bent and peered about his feet, then he reached under the cot and drew out the other shoe and sat up again and began to turn creakily and stiffly to look behind him when his uncle reached and took the first shoe from the cot and dropped it beside the other. But Lucas didn’t put them on. Instead he sat again, immobile, his hands on his knees, blinking. Then with one hand he made a gesture which completely dismissed Gowries, mob, vengeance, holocaust and all. ‘I’ll worry about that when they walks in here,’ he said. ‘I mean the law. Aint you the county lawyer?’
‘Oh,’ his uncle said. ‘It’s the District Attorney that’ll hang you or send you to Parchman—not me.’
Lucas was still blinking, not rapidly: just steadily. He watched him. And suddenly he realised that Lucas was not looking at his uncle at all and apparently had not been for three or four seconds.
‘I see,’ Lucas said. ‘Then you can take my case.’
‘Take your case? Defend you before the judge?’
‘I’m gonter pay you,’ Lucas said. ‘You dont need to worry.’
‘I dont defend murderers who shoot people in the back,’ his uncle said.
Again Lucas made the gesture with one of the dark gnarled hands. ‘Let’s forgit the trial. We aint come to it yet.’ And now he saw that Lucas was watching his uncle, his head lowered so that he was watching his uncle upwardfrom beneath through the grizzled tufts of his eyebrows—a look shrewd secret and intent. Then Lucas said: ‘I wants to hire somebody—’ and stopped. And watching him, he thought remembered an old lady, dead now, a spinster, a neighbor who wore a dyed transformation and had always on a pantry shelf a big bowl of homemade teacakes for all the children on the street, who one summer (he couldn’t have been over seven or eight then) taught all of them to play Five Hundred: sitting at the card table on her screened side gallery on hot summer mornings and she would wet her fingers and take a card from her hand and lay it on the table, her hand not still poised over it of course but just lying nearby until the next player revealed exposed by some movement or gesture of triumph or exultation or maybe by just simple increased hard breathing his intention to trump or overplay it, whereupon she would say quickly: ‘Wait. I picked up the wrong one’ and take up the card and put it back into her hand and play another one. That was exactly what Lucas had done. He had sat still before but now he was absolutely immobile. He didn’t even seem to be breathing.
‘Hire somebody?’ his
Dorothy Dunnett
Anna Kavan
Alison Gordon
Janis Mackay
William I. Hitchcock
Gael Morrison
Jim Lavene, Joyce
Hilari Bell
Teri Terry
Dayton Ward