at a vigorously animated figure on their computer screen.
âItâs good,â he added, nodding.
She reached out slowly and took it in her hands. The bottle of water was a tiny diorama, heavy and plastic-cool. Clear, pure water tipped back and forth across a tiny photo of a tropical landscape. In the foreground, a little waterfall plunged from the top of a mossy cliff into a deep, refreshing lagoon the color of toothpaste. The tropical water was festooned with little white glints of sunshine, small sharp waves. She looked into the distance at the miniature mountains, shrouded in pixelated mist. But where were all the fish, the birds, the vacationing tourists with their bikinis and cameras? Theyâve all drowned, Karen realized suddenly. She put the bottle down.
âThank you,â she said.
The man smiled again, his little mouth smooth and slightly pink. She felt bad for having disliked him while he was standing up there at the counter, buying water for her. She thought of buying him something. Saying something pleasant to him. She felt thick-brained and inept at the delicate choreography of being nice to people. She had been watching two movies a day, sometimes more. There were almost enough movies around to live your entire life in them. But there were not quite enough. Last night she had watched all six installments of a miniseries about espionage during the Cold War. In this series, people were terrible and the protagonist was boring. The plot centered on finding out who within the bureau was a double agent, andthough there was ultimately only one double agent many of the main characterâs friends betrayed him in small, inconsequential ways. When at last the protagonist returned to the orderly apartment where he lived alone, alone despite having resolved a major national crisis, Karen felt so angry, without reason or direction, that she cried in the loud way, the way that sounds like choking.
âThis water looks great,â said Karen. She nudged it on the table, but did not pick it up. She smiled tightly. âItâs nice,â she said, feeling like she hadnât said enough. âItâs pretty.â
âMy name is Martin,â said the man solemnly.
âIâm Karen,â said Karen.
âIâm working,â she explained.
âYes,â said Martin. âSo am I. Iâm sorry to disturb you.â
He had a slight accent, his words were blurry. He wore a blazer and a red and black striped T-shirt with a small, useless pocket sewn onto it. He was fairly attractive, with a face like an exsanguinated Jared Leto. While Martin turned back to his computer, Karen listened to the sound of his breath, even and calming, a foot and a half away.
Karen still hadnât settled on a title for the article, and she stared again at the list of phrases she had been able to come up with. At Home On the Range. The Holstein Whisperer. Some were just phrases: Milk-Fed, Whole Milk, The Milky Way. She opened the document up and tried to start again, this time beginning with her arrival at Ned Reganâs dairy farm. The gentle green hills. The round smell of cow manure, the soft sounds of grass tearing and flat teeth chewing ambiently everywhere. She and Tim had broken up the week before she went to stay at the farm; was thatimportant? Would it add something? Ned Reganâs hard jaw, handsome but set at an unhandsome angle, like it was sliding off the side of his face. And the cows, all the cows, their hipbones jutting up, moving past her at almost eye level. Once they were too old to produce milk, they would be eaten. Martin was bent over his keyboard, his back supple, while he scrolled down, down, continuously down, stroking the trackpad with one finger. He looked utterly absorbed. A feeling of loneliness overtook her. âWhat are you working on?â she asked, and tried to lean a little toward him. Karenâs ex-boyfriend Tim hadnât written or called in over four
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