long lines for legs, stiltlike, resembling an insect, and with saw-toothed jaws depicted full front though the drawing was in profile. A creature horrific and improbable, protected on either side by purple mountains.
âTiger!â Roger instructed them. Then he dropped his drawing and, leaning forward, arms locked at his sides and ending in fists, he roared at the both of them.
GUY GOES INTO A BARBERSHOP
The barber looks up from his customer and nods. Guy touches his right eyebrow with his index finger in a little salute, hangs his jacket and hat on a hook, and turns to a stack of magazines: Agni, Hudson Review, The New Yorker, New York Review of Books, Paris Review, The American Scholar. No Field & Stream? No Argosy, Popular Mechanics, Maxim, Esquire, GQ? But the barberâs shaking out the striped cape and itâs his turn in the chair.
âHow goes it?â asks the barber.
âCanât complain,âsays Guy.
âAh! Never complain and never explain,â chirps the barber.
Guy watches him in the mirror, his movements, his assured manner. He looks at the barberâs instruments on the marble counter and in various holsters hanging below it.
âSo whatâs it gonna be?â
âJust trim the sides and back. Go easy on the top. Thereâs not a whole lot left up there, yâknow?â He grins at the barber in the mirror.
âHopes dance best on bald menâs hair!â says the barber.
âCome again?â
âHope. You know, the thing with feathers that perches in the soul.â
âOh. Yeah. Yeah. And I could use a shave.â
âThatâs an extra two bucks with the haircut. Costly thy habit as thy purse can buy!â
âThatâs reasonable.â
âThe reasonable man adapts himself to the world: the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.â
âI never quite thought about it that way,â Guy says and grows wary. Mostly he hopes this isnât one of those barbers who doesnât care if he gets those little hairs all down your neck so you itch the whole rest of the day. He closes his eyes and listens to the scissors do their work.
âMind if I ask you something?â the barber says.
âNo. Go ahead.â
âWell, if there were no eternal consciousness in a man, if at the foundation of all there lay only a wild seething power which writhing with obscure passions produced everything that is great and everything that is insignificant, if a bottomless void never satiated lay hidden beneath allâwhat then would life be but despair?â
âDamned if I know,â says Guy.
Soon the barber is holding his jaw shut, scraping at his neck. âEvery normal man,â the barber says, âmust be tempted at times to spit on his hands, hoist the black flag, and begin to slit throats.â
With this, Guy sits up. âAre you nuts? Is that it? Iâm not going to sit here scared half to death while you hold a razor to my throat.â
âFear not that thy life shall come to an end, but rather fear that it shall never have a beginning,â the barber says as he smacks Guy on the cheeks with something that stings and smells like lime. âRelax,â he says.
âHow can I relax with you talking like that?â
âLet people see in what I borrow whether I have known how to choose what would enhance my theme. For I make others say what I cannot say so well, now through the weakness of my language, now through the weakness of my understanding.â
Then the barber holds up the hand mirror behind Guyâs headâa bogus lollipop, an all-day sucker, paddle of a clown. âGive me to know the measure of my days,â he says.
Guy sees in the mirror before him the long approach of himself and he is afraid to meet his eyes for fear the whole train, on the thin, black, twin track of his pupils, will come
J.H. Knight
Stan R. Mitchell
Jeff Inlo
Paul Kleinman
Gwynne Forster
Sandra Parshall
Graham Masterton
Matthew Stadler, Columbia University. Writing Division
Alexandrea Weis
Carolyn Keene