Instruments of Night

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Authors: Thomas H. Cook
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There’s just one thing I know for sure. Whoever it was, he’s still out there somewhere. Free as a bird. Looking for some other young girl.
    I know, Sheriff.
    That’s what’s so frustrating. The fact that I don’t have a thing to go on. Just car tracks in the driveway, that’s all. The boy, there, he’s the only thing I got that’s even close to a witness.
    But if Paul wasn’t at the house, what good can he do you?
    Not much, I reckon.
    Well, back when he was talking, he said he hadn’t seen a thing. Said he never came to the house that night. Said he slept in the field a mile away.
    Yes, I know he said that.
    Then what’s the good of keeping after him?
    Graves had always remembered how Sheriff Sloane’s eyes had slid over to him when he gave his answer:
    Well, if he didn’t go home that night, then what about the hoe?
    The hoe?
    Why wasn’t it with him when we found him in the field?
    Where was it?
    Inside the house. Near where his sister hung.

    A shadow suddenly spread across the diner’s speckled Formica table top, startling Graves, jerking him back into the present.
    “Will there be anything else, sir?”
    Graves glanced up. The waitress had long, straight hair, and for an instant she seemed to hang above him, swinging slowly, suspended by a cord but still alive, her hands clawing at the rope, red and raw, blood flowing down her arms in gleaming rivulets.
    “How about a warm-up?”
    Graves shook his head. “No, nothing else.” His voice was a whisper.
    She nodded and moved away, leaving him in the booth, the thick white coffee cup squeezed tight in his fingers. He could see the two men in green coveralls as they began tosaunter toward the far corner of the street. He was still watching when they reached the end of the block. Then a truck swept by, blocking his view. Once it passed, the pair was gone.
    He finished the last of his coffee, rose, and headed out of the diner.
    Normally, he would have gone back to his apartment after having breakfast. But the thought of returning to his typewriter, to a scene in which Slovak stood on a narrow ledge, staring hopelessly into Kessler’s triumphant eyes, did not appeal to him. Instead, he decided to take a stroll, observe the great spectacle of the city on a bright summer morning.
    He’d arrived in New York in the fall, only a month after his eighteenth birthday. He’d had nothing but the meager money he’d gotten from the sale of the family farm, but it had been enough to buy a bus ticket, rent an apartment, and keep him fed and clothed until he’d found a job. He’d never been in doubt as to why he’d come to New York. He’d seen it portrayed countless times in movies and magazines, a dense cityscape that was the exact opposite of the wide fields and empty woods and remote farmhouses of rural North Carolina, all of which filled him with a panicky sense of dread. The sheer density of the place, its teeming crowds, answered his need to surround himself with high walls, to walk streets that were never deserted. Once in the city, he’d moved into the most crowded neighborhood he could find, into the largest building on its most congested street, and in that building had chosen the apartment that had the thinnest walls. He would never again live in a place where screams could not be heard.
    It was a tiny studio that looked out over the southwest corner of First Avenue and Twenty-third Street, and at night Graves took comfort in the proximity of his neighbors,the sounds they made as they came and went from their apartments. Morning and evening were best, but regardless of the hour he overheard a steady stream of life, people padding up and down the narrow corridor, chatting or bickering as they went. It never mattered what they said, only that they were so close. He needed only to feel their nearness, their vigilance, their eyes upon him, their ears listening. For he knew that the greatest evils required isolation. They were carried out in distant woods,

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