In the Heart of the Sea

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Authors: Nathaniel Philbrick
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an enemy.” It was said that the sharper and more defined the storm cloud, the worse the wind; thunder and lightning were also bad signs. When jagged streaks of lightning began to crackle out of the forbidding black sky and thunder boomed, Pollard finally began to issue orders. But it was too late.
    In the face of an approaching squall, there were two options: either to point the ship into the oncoming wind, to relieve the pressure on the sails by letting them luff, or to turn almost 180 degrees in the opposite direction, away from the wind, and let the storm blow the ship with it. This relieved the pressure on the forward sails as they became partially becalmed in the shelter of the after ones. In the merchant service, in which ships were typically undermanned, some captains favored heading into the wind—what they called luffing through a squall—in part because heading up is the natural tendency of a sailing ship in a gust. Most captains, however, favored turning away from the wind—a strategy that required them to anticipate the arrival of the squall as the crew shortened the upper and aft sails. To attempt to bear away from the wind in the last few seconds before being struck by a squall was held to show “a poor appreciation of the squall, or a lack of watchfulness.”
    This was precisely what happened to the Essex. As the squall approached, the helmsman was ordered to turn away from the direction of the wind and “run before it.” Unfortunately it took time for a ship the size of the Essex to respond to her rudder. When the gust slammed into the ship, she had just begun to turn and was sideways to the wind—the worst possible position.
    For the green hands, the sound alone was terrifying: the shrieking of the wind across the rigging and then a frenzied flapping of sails and creaking of the stays and masts. The Essex began to lurch to leeward—slowly at first, the ponderous weight of the ship’s keel and ballast, not to mention the tons of stores stowed in her hold, refusing at first to yield, but then, as the wind increased, the ship inevitably succumbed to the merciless pressure of the wind.
    When a ship is heeled over by forty-five degrees or more, her hull might be compared to a fat man on the short end of a lopsided seesaw. No matter how much he weighs, if the end of the seesaw on the other side of the pivot point is long enough, it becomes a lever that will eventually lift him up into the air as the distant tip of the seesaw settles softly to the ground. In the case of the Essex, the masts and their wind-pressed sails became levers prying the hull toward the point of no return, forcing it over until the tips of the yards were buried in the water. The Essex had been rolled almost ninety degrees onto her side—knocked over on her “beam-ends,” in the language of the sea.
    Those on deck clung to the nearest fixture, fearful that they might fall down into the lee scuppers, now under knee-deep water. Those below deck did their best to shield themselves from objects falling down around them. If he hadn’t abandoned it already, the ship’s cook was doing his best to scramble out of the cookhouse, the heavy stove and cookware threatening to burst through its frail wooden sides. The two whaleboats on the Essex ’s port side had disappeared beneath the waves, pressed underwater by the massive weight of the capsized ship. According to Chase, “The whole ship’s crew were, for a short time thrown into the utmost consternation and confusion.”
    Yet amid all the chaos there was, at least on deck, a sudden sense of calm. When a ship suffers a knockdown, her hull acts as a barrier against the wind and rain. Even though the ship had been slammed against the water, the men were temporarily sheltered from the howling forces of the wind. Pollard took the opportunity to pull the crew back together. “[T]he cool and undismayed countenance of the captain,” Nickerson remembered, “soon brought all to their sober

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