notably in David Copperfield, the next Dickens she gave me, and Great Expectations, for which I was made to wait.
When Mr. Brownlow takes Oliver to those “dreadful walls of Newgate,which have hidden so much misery and such unspeakable anguish”—where Fagin is waiting to be hanged—I cried for poor Fagin, too.
“It’s a good sign when a boy cries reading a novel,” Miss Frost assured me.
“A good sign?” I asked her.
“It means you have more of a heart than most boys have,” was all she would say about my crying.
When I was reading with what Miss Frost described as the “reckless desperation of a burglar ravishing a mansion,” she one day said to me, “Slow down, William. Savor, don’t gorge. And when you love a book, commit one glorious sentence of it—perhaps your favorite sentence—to memory. That way you won’t forget the language of the story that moved you to tears.” (If Miss Frost thought Oliver cried too much, I wondered what she really thought of me.) In the case of Oliver Twist, alas, I forget which sentence I chose to memorize.
After David Copperfield, Miss Frost gave me my first taste of Thomas Hardy. Was I then fourteen, going on fifteen? (Yes, I think so; Richard Abbott happened to be teaching the same Hardy novel to the boys at Favorite River Academy, but they were prep-school seniors and I was still in the lowly eighth grade, I’m sure.)
I remember looking, with some uncertainty, at the title— Tess of the d’Urbervilles —and asking Miss Frost, with apparent disappointment, “It’s about a girl?”
“Yes, William—a most unlucky girl,” Miss Frost quickly said. “But—more important, for your benefit as a young man—it’s also about the men she meets. May you never be one of the men Tess meets, William.”
“Oh,” I said. I would know soon enough what she meant about the men Tess meets; indeed, I would never want to be one of them.
Of Angel Clare, Miss Frost said simply: “What a wet noodle he is.” And when I looked uncomprehending, she added: “Overcooked spaghetti, William—think limp, think weak .”
“Oh.”
I RACED HOME FROM school to read; I raced when I read, unable to heed Miss Frost’s command to slow down. I raced to the First Sister Public Library after every school-night supper. I modeled myself on what Richard Abbott had told me of his childhood—I lived in the library, especially on the weekends. Miss Frost was always making me move toa chair or a couch or a table where there was better light. “Don’t ruin your eyes, William. You’ll need your eyes for the rest of your life, if you’re going to be a reader.”
Suddenly I was fifteen. It was Great Expectations time—also, it was the first time I wanted to reread a novel—and Miss Frost and I had that awkward conversation about my desire to become a writer. (It was not my only desire, as you know, but Miss Frost and I didn’t discuss that other desire—not then.)
It was suddenly time for me to attend Favorite River Academy, too. Fittingly—since she would be so instrumental in my overall education—it was Miss Frost who pointed out to me what a “favor” my mother and Richard Abbott had done for me. Because they got married in the summer of 1957—more to the point, because Richard Abbott legally adopted me—my name was changed from William Francis Dean, Jr., to William Marshall Abbott. I would begin my prep-school years with a brand-new name—one I liked!
Richard had a faculty apartment in one of the dormitories of the boarding school, which he and my mom shared in their new life together, and I had my own bedroom there. It was not a long walk, on River Street, to my grandparents’ house, where I’d grown up, and I was a frequent visitor there. As little as I liked my grandmother, I was very fond of Grandpa Harry; of course I would continue to see my grandfather onstage, as a woman, but once I became a student at Favorite River, I would no longer be a backstage regular at
When Mr. Brownlow takes Oliver to those “dreadful walls of Newgate,which have hidden so much misery and such unspeakable anguish”—where Fagin is waiting to be hanged—I cried for poor Fagin, too.
“It’s a good sign when a boy cries reading a novel,” Miss Frost assured me.
“A good sign?” I asked her.
“It means you have more of a heart than most boys have,” was all she would say about my crying.
When I was reading with what Miss Frost described as the “reckless desperation of a burglar ravishing a mansion,” she one day said to me, “Slow down, William. Savor, don’t gorge. And when you love a book, commit one glorious sentence of it—perhaps your favorite sentence—to memory. That way you won’t forget the language of the story that moved you to tears.” (If Miss Frost thought Oliver cried too much, I wondered what she really thought of me.) In the case of Oliver Twist, alas, I forget which sentence I chose to memorize.
After David Copperfield, Miss Frost gave me my first taste of Thomas Hardy. Was I then fourteen, going on fifteen? (Yes, I think so; Richard Abbott happened to be teaching the same Hardy novel to the boys at Favorite River Academy, but they were prep-school seniors and I was still in the lowly eighth grade, I’m sure.)
I remember looking, with some uncertainty, at the title— Tess of the d’Urbervilles —and asking Miss Frost, with apparent disappointment, “It’s about a girl?”
“Yes, William—a most unlucky girl,” Miss Frost quickly said. “But—more important, for your benefit as a young man—it’s also about the men she meets. May you never be one of the men Tess meets, William.”
“Oh,” I said. I would know soon enough what she meant about the men Tess meets; indeed, I would never want to be one of them.
Of Angel Clare, Miss Frost said simply: “What a wet noodle he is.” And when I looked uncomprehending, she added: “Overcooked spaghetti, William—think limp, think weak .”
“Oh.”
I RACED HOME FROM school to read; I raced when I read, unable to heed Miss Frost’s command to slow down. I raced to the First Sister Public Library after every school-night supper. I modeled myself on what Richard Abbott had told me of his childhood—I lived in the library, especially on the weekends. Miss Frost was always making me move toa chair or a couch or a table where there was better light. “Don’t ruin your eyes, William. You’ll need your eyes for the rest of your life, if you’re going to be a reader.”
Suddenly I was fifteen. It was Great Expectations time—also, it was the first time I wanted to reread a novel—and Miss Frost and I had that awkward conversation about my desire to become a writer. (It was not my only desire, as you know, but Miss Frost and I didn’t discuss that other desire—not then.)
It was suddenly time for me to attend Favorite River Academy, too. Fittingly—since she would be so instrumental in my overall education—it was Miss Frost who pointed out to me what a “favor” my mother and Richard Abbott had done for me. Because they got married in the summer of 1957—more to the point, because Richard Abbott legally adopted me—my name was changed from William Francis Dean, Jr., to William Marshall Abbott. I would begin my prep-school years with a brand-new name—one I liked!
Richard had a faculty apartment in one of the dormitories of the boarding school, which he and my mom shared in their new life together, and I had my own bedroom there. It was not a long walk, on River Street, to my grandparents’ house, where I’d grown up, and I was a frequent visitor there. As little as I liked my grandmother, I was very fond of Grandpa Harry; of course I would continue to see my grandfather onstage, as a woman, but once I became a student at Favorite River, I would no longer be a backstage regular at
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