coat. Then we’ll stage a little scene for the benefit of the old people. You’ll go upstairs and I’ll call out, loud enough for them to hear, that you should go to bed. They’ll imagine, of course, I am talking to Alice. When they come in for dinner, I’ll tell them that Alice had a bad head ache and has gone to bed. You will tell them you have been up to see her, given her aspirin and she is sleeping.’
‘What really has happened to her?’ Kit asked.
‘Her body will be left in my office,’ Calvin said.
Kit stiffened, her hands closing into fists.
‘You – you’re going to leave her there?’
‘Don’t let’s rush this,’ Calvin said. ‘Let’s go through it step by step. We will have dinner. After dinner, I’ ll watch television w ith the old people and then go up to my room. I’ll dress up as Johnny Acres. I’ ll have to walk to the bank . It’ll take me a good hour. I will have left the back entrance open. I’ ll remove a ll the electric lamps from their sockets except the lamp in the vault, then I’ll turn on the light switches. That w i ll put the electronic eye out of action. I’ ll have Alice’s key to th e vault. I’ ll break open the boxes containing the payro l l and transfer the money to one of the deed boxes in the vault.’
Kit leaned forward.
‘Why do that? Why not bring the money here?’
‘The safest place in which to keep money is in a bank,’ Calvin said. ‘They w i ll never think of looking for the payro ll in one of those deed boxes. I’m sure … if s a foolproof h iding place. We can’t use the money for some time and that’s where it is going to be hidden.’
She hesitated, then realising the shrewdn ess of this idea, she shrugged.
‘Well, go on … ’
‘Now it is your turn to come to the bank. You’ l l also have to walk. It would be fatal for the old people to hear a car start up. The time now wi l l be around three o’clock . You’ll have to be care ful your daughter doesn’t hear you leave. What time do es she get back from Downside?’
‘Around two.’
‘Okay. I’ll have to watch out I don ’ t run into her. By the time you leave, she should be asleep, but be careful. At that hour no one should be around, but on the way to the bank, you’ll have to be sure no one sees you. You know where we have left the Lincoln … at the back of the bank. Go there, move the car close to the back entrance of the bank and wait. You’ll remain in the ca r. You w ill, of course, be wearing Alice’s hat and coat. I’ll bring her out and put her in the boot.’
Kit took a handkerchief fr om the top of her stocking and w iped her sweating face. In a voice she tried to make nonchalant, she said, ‘Why not leave her in the bank?’
‘I want to give Johnny Acres plenty of time to get away,’ Calvin said. ‘We ’ ll drive to Downside. There’s a fil l ing station on the main road and we ’ll stop there. I’ll buy gas and let the attendant get a look at me as Johnny, of course. You wil l remain in the car. You’ ll shield your face, but I want him to see the coat . While he is filling the tank, you and I wil l start an argument about the last train out from ’ Frisco. I want him to imagine that we’re going to ’ Frisco.’ He stubbed out his cigarette and l it another. ‘There’s one thing I’ve forgotten to tel l you. The day before we do the j ob, you must drive to Downside in your car and leave it in the station car park. You ’ll have to come back by train. We must have your c ar waiting for us to come back in. Got that?’
She nodded.
‘Okay, after we have filed the tank, we drive to Downside and leave the Lincoln in the station car park. We’ ll use your car to come home in. That’s the plan. What do you think?’
Kit rubbed her forehead with a shaky hand.
‘It’s complicated,’ she said, not looking at hi m. ‘If you think it will work, I’ ll do i t with you. I’m no good at making plans. I’ve got to leave a ll that to
Under the Cover of the Moon (Cobblestone)
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Lady Brenda
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