perspectives.â
âThereâs Lorraine and Stef in the line. I didnât realize they ended up so far behind us.â
Junie pushes her glasses up her nose. âHereâs Dear Elle signing and looking up at a girl. Actually, thatâs a pretty good profile of both of them.â Junie pats her own shoulder. âNow thereâs a gap because I changed location.â
Sure enough, the next batch of photos are taken from behind the signing table. The purse is in the corner of the picture, hanging lopsidedly over the back of Dear Elleâs chair.
âShe mustâve left the hook at the table where we ate,â I say.
Next come several blurry shots of the line. Maybe from people jostling Junie.
Then Lorraineâs at the front of the line. Sheâs smiling and chatting with Dear Elle. That girl is so friendly.
A girl about the width of a spaghetti noodle is on Lorraineâs heels. âWhat happened to Stef?â I ask.
âNo idea,â Junie says. âItâs weird behind the lens. Iâm in my own little world. I get pictures and donâthave a clue about all the details until later. I never noticed Stef was missing.â
The next shot is of Lorraine crouching low to the table and leaning in close to Dear Elle. Lorraineâs finger is on a sentence in the middle of the book. The book is at an angle, so that the print isnât upside down for either of them. Dear Elleâs head is cocked, and sheâs squinting at the print. Her mouth is half open as she explains something. Not an attractive look.
âWow. Lorraine said she didnât read,â I say, âbut here sheâs asking a question about something way far into the book.â
Weirdly, Lorraine is not looking at the page, but past Dear Elle. Itâs a nice close-up shot of an author and a fan, except that the fan doesnât seem to be tuned in.
Four panoramic views show people around the room and in the line. Still no Stef.
Next, the skinny spaghetti girl steps toward the table, shoulder blades jutting out from a low-cut black dress.
And then I see itâor actually, I donât see it!
I think Iâve figured out the sequence of events for how the purse got stolen. The bottom of my stomach drops out.
âJunie, pull up the photo of Lorraine and Stef in line together. Next to it, drag in the photo of justLorraine at the front of the line. Third, put the photo where Lorraine shows Dear Elle the sentence or whatever in the book. Fourth is the spaghetti girl walking away.â
âIâll play it as a slide show,â Junie says.
âKeep an eye on the lower corner,â I say.
The loop plays over and over. Dear Elleâs purse dangles over the back of her chair while both Lorraine and Stef are in line. Itâs still dangling when Lorraine is waiting her turn. Lorraine and Dear Elle bending over the book fill the photo, so thereâs no way to tell whatâs going on with the purse. But by the time the skinny girlâs approaching Dear Elle, Stef and the purse have disappeared.
Lorraine and Stef stole the purse.
And I helped them.
chapter
eleven
T he next morning, Junie bounds out of bed and throws open the curtains. The sun is shining bright and cheerful.
This is the opposite of my dark and gloomy mood. I tossed and turned all night. In the harsh bathroom light, I look like a football player, with unattractive black lines underscoring my eyes. And I have the beginnings of a headache.
While smearing on triple layers of Naked Makeupâs Cover-Up Supreme, I mull over recent events in my life. Like scratching at a scab. I practically handed Dear Elleâs purse to Lorraine and Stef. They read my essay and the details of the awards dinner on the
Hollywood Girl
website, guessed Iâd be at theRoosevelt Hotel, flattered me and tricked me into getting them into the dinner. Where they nabbed the purse. Pretty embarrassing.
Thereâs a knock at our door.
Lisa Black
Margaret Duffy
Erin Bowman
Kate Christensen
Steve Kluger
Jake Bible
Jan Irving
G.L. Snodgrass
Chris Taylor
Jax