said, ‘The others have too.’
‘I'd hate to be on the ground in a bad raid,’ he said. ‘I certainly would hate to be down here.’ He stared up at the sky.
‘Don't you ever think what it is you're doing up there?’ she asked him.
They were at the tube station, and going into the light she noticed again in his eyes the nervous intent look of a rider waiting for the start of a hard race, his movements rather jerky and stiff, and shebegan to feel sorry because something was wrong somewhere. She looked to see what was wrong, but in place of the man with the young face who looked at her with bright bloodshot eyes there came the house in another country and the trees with cormorants in them and the morepork was calling and there was no way of seeing anything else.
Then in the train it was gone and she attended to him again: but now with anger reviving in her he was only the murder man, and having no clear idea of the inside of a plane, she saw only an anonymous robot, padded, helmeted, hung about with accoutrements and surrounded by switches and dials, sowing catastrophe from a lighted box in the sky.
‘How do you ever sleep?’ she asked the man who was sitting by her in the blue clothes, here, in the underground. ‘Don't you feel frightened to go to sleep?’
‘It's our people or theirs. You know that.’
‘I know that because there's a murder committed next door all the rest of us in the street don't have to start killing our neighbours.’ ‘It's war,’ he said. ‘I simply do my job. Do you suppose I enjoy bombing civilians? Is it my fault?’
‘Yes,’ she said. ‘If you know what you're doing and acquiesce in it that makes you guilty.’
‘No. You're not fair.’
She looked at him and saw his eyes screwed up painfully as they would be when he looked into the sun. The wrinkles around his eyes looked strange on the young face, almost like painted lines.
‘Listen,’ she said. ‘The morepork was calling for you all right. This is the worst badness that could have happened to you, that you should turn into a murderer.’
The train was stopped in a station and a woman, hearing, turned in the doorway as she was getting out and said, ‘How dare you speak like that to one of our glorious boys?’ Then the doors slid shut in front of her outraged face and Ken made a sound like a laugh that was not really amused and she, sitting beside him, laughed too and said, ‘Spreading dismay and despondency among His Majesty's forces. I could be put in jail.’
And, because of the laughter, she recognized the young face for which, somewhere, she had had some affection, regretting again dimly the eyes strained and screwed up as if they were hurting, and said, ‘Don't take any notice of me; I suppose I'm a bit crazy’, falling easily into the pattern she ran her life by.
That was the easy pattern, to let people think she was a little mad. And it was true that she was a way they never would be able to understand, with the woolgathering, and now the picture and that bad luck bird that had come with Ken in the light in front of them all. She heard him say, ‘It's all right’, and then there was nothing more said and it was time to get out of the train.
The platform was crowded and most of the bunks occupied. Here and there people slept already and a man near the tea urns was wandering up and down selling buns from a tray slung on a strap round his neck. There were more shelterers than there usually were.
‘Warning's just gone,’ one of them said, close to her, as they passed, and Ken said quickly, ‘What?’
‘The warning,’ she told him, stopping because he had stood still suddenly. ‘The glorious boys in the different uniform.’
Of course it's lunacy: we've all of us gone insane, she said to herself, thinking of the planes streaming out, crossing the incoming enemy stream up there in the freezing sky. Did they signal like passing ships or just ignore one another? The demented human race destroying
Amy Korman
Linda Lovelace
Grace F. Edwards
Dana Donovan
Susan Ford Wiltshire
Renee Andrews
Viola Grace
Amanda Downum
Jane Ashford
Toni Griffin