phone. Iâm a ball of electricity, shaking in my seat. But I canât tell her that. Especially not after she says, âI miss you already! The house feels so empty. I hate being by myself.â
So I pretend to yawn. âI miss you too, Mom. But I need to get ready for bed. Itâs been a really long day.â Understatement of the year.
âAll right,â Mom says. âIâll speak to you tomorrow.â
âTomorrow?â I echo.
âTomorrow,â she confirms. âGood night, Samantha.â
I sit there for a second after I hang up the phone. I love my mom. She cares about me and my future. I should want to talk to her every day, right?
I leave Dr. Lancasterâs office, walk back down the hall, and sit next to Katie on the sofa. She glances at me and opens her mouth, but I must have a Do Not Disturb sign on my forehead, because in the end, she doesnât say a word.
six
IâM IN THE WINGS, TUCKED BEHIND A CURTAIN, staring out onto the brightly lit stage. Itâs Nutcracker, Act IIâall gumdrops and sparkles. Clara is sitting on the Sugar Plum Fairyâs throne. She claps her hands with delight as Mother Gingerâs gingerbread children cartwheel and somersault in front of her. The music is building to a crescendo.
I roll through my feet, pressing over onto one pointe, then the other. I run my hands over the bodice of my costume, stopping at the delicate pink lace draped across my hips. I shake my head a few times to make sure my tiara is securely pinned in.
Onstage, Mother Gingerâs children are bowing and curtseying.
The audience is clapping.
Iâm next.
Bianca, still dressed in her tutu from the Spanishvariation, leans in close to wish me good luck: â Merde , Sam-a-lam-a!â From the opposite wing, my mom gives me a radiant smile and a thumbs-up.
In the moment of silence before the orchestra begins to play âWaltz of the Flowers,â I hear my pulse and my breath. Time slows down. Then the music starts.
I rise up onto my toes, let my arms float up like a breath.
I run onstage.
Itâs my last performance as the Dewdrop Fairy. I give it everything I have. I spin and soar through space. I feel free and effortless and perfect. For seven and a half minutes, nothing exists but the beautiful, magical now .
I pirouette into my final pose, with the corps de ballet fanned out around me. The applause is like thunder. It almost brings tears to my eyes. We move into a straight line. At center stage, I curtsy deep, touching my hand to my heart. Iâ
I wake up.
And then I do start crying, because Iâm not onstage, after the performance of a lifetime. Iâm here . The place my awful roommate wonât stop calling Crazy Camp.
Zoe stirs in the bed across from me. The last thing I want to do is talk to her, so I jump up and gather my towel, my toiletries, and a sundress to change into after I shower. I slip silently down the dark hallway to the bathroom. Itâs empty; Iâm safe. I step into the shower stall, leaving my pajamas on the floor. I turn the faucet. And then I stand there, with water running down my back and tears running down my face.
The joy I felt in my dreamâthe joy I felt onstage that night, back in DecemberâI want to feel it again. I want that with every fiber of my being.
You wonât get it back. You canât.
I pull myself together and finish washing up. I shut off the water. The bathroom is still empty, still quiet, so Iâm able to dry off and get dressed in peace.
When I go downstairs to the kitchen, Andrew is standing in front of the open fridge. âHi! Youâre up early.â
âSo are you,â I say, climbing onto one of the stools at the kitchen island.
âAh, but I have a reason.â He gets out a massive fruit bowl and a cling-wrapped cookie sheet laden with unbaked cinnamon rolls.
Donât even think about it.
âI have to make breakfast for you
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