with me. Thereâs nothing wrong with my playing. If you want a ride home, okay. If I want advice from a bobby-soxer, Iâll ask for it!â
Her blue eyes flashed and her chin went up. She looked mad and cute. âOh, you and your damned precious musicianâs ego. You canât face it, can you, Johnny Nickles? You wonât admit, even to yourself, that your playing stinks these days. You have to blame it on a poor old blind Negro who could play more with one hand than you everââ
The slap of his palm across her mouth was loud in the small car. A choked scream worked free of her throat. Her eyes were blazing as she yanked open the door. She half-slid out of the car, twisting the hem of her skirt above her stocking tops.
Johnny swore and pulled her back into the car. He slammed the door shut and threw the car into motion. âYou canât walk home from here. Youâd drown. Give me your address and shut up and Iâll take you home.â
She gave him her address and shut up. They both shut up and Johnny drove on with the bottle in one hand, taking a swallow from it every few minutes.
Then he began to talkâsoftly, half to himself. â...okay, so Iâve had a lot on my mind. Everybody has an off night now and then. I still play the best horn in town....â
They pulled up before the address sheâd given him.
She sat silently for a moment, stiffly. Then she said, keeping her eyes straight ahead. âIâm sorry, Johnny. Iâm sorry I said that about you.â She turned to open the door.
She got out and stood on the sidewalk in the rain, then impulsively ducked her head back into the car. âIâd like to come around to where you play, Johnny. I want to dig your bandâit would help my research for my thesis. Can I? If I promise no more advice?â
He shrugged. âI donât own the place.â He lit a cigarette. A terrific struggle was going on inside him. Finally he said, âLook, youâll be seeing Mamba before he leaves town. IâI wonder if youâd tell himââ
She smiled softly. âIâll tell him, Johnny.â
* * * * * * *
Ruth Jordon came down to Honky-Tonk Street pretty regularly after that. She would sit at a corner of the bar at Normanâs Sho-Tune joint and make notes in a little book. She really ate up their kind of music. Her fingers tapped the edge of the bar to the rhythm of Miffâs drums. Her eyes shone and she laughed aloud when they slid into a real solid ensemble and Johnny rocked back on his heels and punched out the hard, driving licks with his horn tilted to the sky.
During intermissions, sheâd ask the guys all sorts of questions about music.
Johnny didnât think it unusual that sheâd been in Miffâs apartment the night he was killed. He didnât think thereâd been anything romantic going on between them. Miff wasnât her type. She often called on the fellows in his band to get information for her thesis. She had probably gone up to Miffâs Monday night with her notebook simply to ask him some technical questions about the place of the percussion instruments in the Dixieland jazz band ensemble. Thatâs the way Johnny figured it.
And he told himself as much for perhaps the hundredth time as he parked in the hospital driveway, climbed out of his car and walked up the dark, wet steps. The halls were dim and silent at that hour of the night. A nurse on night duty at the front desk told him in a whisper where he could find Ruth Jordonâs room.
On the third floor, he saw a uniformed police officer dozing on a chair propped next to one of the doors. The cop straightened up as Johnny neared him and his features grew suddenly belligerent. When Johnny told him who he was, they went down to the office together where Dr. Ed Nathan okayed Johnny. âJust talk to her for a minute, Johnny,â the doctor said softly. âAnd when you finish, stop
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