Hit and The Marksman

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Authors: Brian Garfield
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for granted that the place would be festooned with alarm systems and bodyguards; the latter assumption proved accurate enough—the door swung open before I got to it and a rum-looking Neanderthal gave me a sizing up which I associated in my mind with the look a hungry piranha would direct toward a raw hunk of bleeding flesh. He wore a sport jacket which he had obviously only put on in order to open the door so that his shoulder-holstered gun wouldn’t show.
    â€œYeah?”
    â€œI’d like to see the Don. I’m not armed.”
    â€œWhat name?”
    â€œSimon Crane.”
    â€œMr. Madonna expecting you?”
    â€œIt’ll come as no surprise,” I declared.
    The bodyguard looked uncertain; then, abruptly, he turned to look over his shoulder at someone who had come up behind him. It was hard to see inside against the blinding light of the exterior sun, but then I heard that wheeze of a voice and recognized it immediately: an old injury to the larynx had reduced Pete DeAngelo’s voice to a harsh whisper.
    â€œWho’s all this?”
    The bodyguard took a step backward to explain to DeAngelo who I was and what I wanted, but DeAngelo brushed him aside and came forward. His tall frame filled the opening. “Hello, Crane.”
    DeAngelo was a sleek, cold man, hard and handsome and poison-cruel. He was a dandy: he was wearing white tapered slacks, white loafers with pointed toes, an ascot under a high custom shirt collar. His polished nails glinted. If MGM ever decided to make the Pete DeAngelo Story , the role might have gone to Robert Wagner. He had a deep suntan and opaque eyes; he revealed all the feelings of a marble slab.
    I gave him plenty of time to look me over. We had met before a few times—twice at the station house when he’d come to bail out a couple of the boys. Among his other accomplishments DeAngelo was a bar-admitted lawyer. He was also Madonna’s consigliore —councilor and right-hand man. His reputation was for ambition, brains and smooth if ruthless efficiency.
    I said, “I’d like a minute with the Don.”
    â€œWhat for?”
    â€œTo save me trouble and save you people time and effort wasted on wild goose chases,” I said, watching his face. If there was any reaction inside him, he made no sign of it.
    He glanced back at the bodyguard, who was tugging at his cuffs and scowling. The bodyguard had a disturbing way of leaning so far forward his feet seemed nailed to the door. Buster Keaton used to do that, I thought. DeAngelo said in his grating whisper, “Keep him company, Freddie,” and went back into the house without another glance at me. DeAngelo’s shoes had heels that clicked like dice.
    Freddie propped himself in the doorway with his arms folded, keeping me out under the sun. I said, “You’re from Chicago.”
    He shook his head and grinned. He looked like the type who was chronically on the lam. I said, “Hot, isn’t it?”
    â€œBet your ass,” said Freddie.
    Presently DeAngelo clicked back into sight, an intense hungry panther, and nodded to Freddie. DeAngelo’s smile, pointed at me, was without menace; but I felt a chill. He rasped, “Okay, he wants to find out what you’ve got to say. Come on.” He turned without further remarks and walked to the center of the sepulchral living room. I went inside and heard the door click shut behind me. By then DeAngelo had turned and lifted one palm toward me to stop me. He said, “Mind a frisk?”
    â€œNo.”
    â€œGo ahead, Freddie.”
    I let Freddie paw me for guns and when he was finished I followed DeAngelo through an arched corridor to the back of the house. He opened a sliding glass door and led the way out onto a flagstone walk that ran along to the tiled apron around the swimming pool. It was a big blue pool shaped like a bell, with ladders and diving board. Heat bounced off everything—the water, the

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