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youth, that he had never been able to forget her, “nor been able to eradicate from my mind those happy moments, the happiest in my life, which I have enjoyed in your company.” 63
The earlier letters of 1758 are convoluted documents, in part because the act of writing them threw Washington into such emotional disarray that his grammar and syntax lost their customary coherence, in part because he deliberately used imprecise and elliptical language to prevent any prying eyes from knowing his secret. Here are the most salient passages:
’Tis true, I profess myself a Votary to Love—I acknowledge that a Lady is in the Case—and further I confess that this Lady is known to you.—Yes Madam, as well as she is to one, who is too sensible of her Charms to deny the Power, whose Influence he feels and must ever Submit to. I feel the force of her amiable beauties in the recollection of a thousand tender passages that I coud wish to obliterate, till I am bid to revive them.—but experience alas! Sadly reminds me how Impossible this is.—and evinces an opinion which I have long entertained, that there is a Destiny, which has the Sovereign Controul of our Actions—not to be resisted by the Strongest efforts of Human Nature.
The World has no business to know the object of my Love, declard in this manner to you—you when I want to conceal it—One thing, above all things in this World I wish to know, and only one person of your Acquaintance can solve me that, or guess my meaning.—but adieu to this, till happier times, if I shall ever see them. . . .
Do we still misunderstand the true meaning of each others Letters? I think it must appear so, tho I would feign hope the contrary as I cannot speak plainer without—but I’ll say no more, and leave you to guess the rest. . . . I should think my time more agreable spent believe me, in playing a part in Cato with the Company you mention, & myself doubly happy in being the Juba to such a Marcia as you must make. 64
In Joseph Addison’s Cato (1713), Marcia is the daughter of Cato, and Juba is the Prince of Numidia, who is required to conceal his secret love for her. Only someone dedicated to denying the full import of this evidence could reject the conclusion that Washington was passionately in love with Sally Fairfax.
The titillating “consummation” question is almost as irrelevant as it is unanswerable. The more important and less ambiguous fact is that Washington possessed a deep-seated capacity to feel powerful emotions. Some models of self-control are able to achieve their serenity easily, because the soul-fires never burned brightly to begin with. Washington became the most notorious model of self-control in all of American history, the original marble man, but he achieved this posture—and sometimes it was a posture—the same hard-earned way he learned soldiering, by direct experience with difficulty. Unlike Thomas Jefferson, he wrote no lyrical tribute to the interior struggle entitled “Dialogue Between the Head and Heart,” but he lived that dialogue in a primal place deep within himself. Appearances aside, he was an intensely passionate man, whose powers of self-control eventually became massive because of the interior urges they were required to master.
Nothing was more inherently chaotic or placed a higher premium on self-control than a battle. He had played a leading role in four of them: one a massacre that he oversaw; the other a massacre that he survived; one an embarrassing defeat; the other a hollow victory. Whether it was a miracle, destiny, or sheer luck, he had emerged from these traumatic experiences unscathed and with his reputation, each time, higher than before. He had shown himself to be physically brave, impetuously so at Fort Necessity, and personally proud, irrationally so in the Forbes campaign. His courage, his composure, and his self-control were all of a piece, having developed within that highly lethal environment that
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