yourselves?â
We nod.
âGood, âcause Iâm enjoying myself.â
âGood,â I say, and that seems to be the best I can do for the moment.
Iâve only got a tenner, so I stand there twiddling my thumbs while the guy fishes around for four-pound coins.
âYou live in London now, is that right?â I ask her.
âYup. Not far from here, actually.â
âYou like it?â Barry asks. Good one. I wouldnât have thought of that.
âItâs OK. Hey, you guys might be the sort to know. Are there any good record shops up around here, or do I have to go into the West End?â
Whatâs the use of taking offense? We are the sort of guys who would know about record shops. Thatâs what we look like, and thatâs what we are.
Barry and Dick almost fall over in their haste to explain.
âHeâs got one!â
âHeâs got one!â
âIn Holloway!â
âJust up the Seven Sistersâ Road!â
âChampionship Vinyl!â
âWe work there!â
âYouâd love it!â
âCome in!â
She laughs at the onslaught of enthusiasm.
âWhat dâyou sell?â
âBit of everything good. Blues, country, vintage soul, new waveâ¦â
âSounds great.â
Somebody else wants to talk to her, so she smiles nicely at us and turns round. We go back to where we were standing.
âWhat did you tell her about the shop for?â I ask the others.
âI didnât know it was classified information,â says Barry. âI mean, I know we donât have any customers, but I thought that was a bad thing, not, like, a business strategy.â
âShe wonât spend any money.â
âNo, course not. Thatâs why she was asking if we knew any good record shops. She just wants to come in and waste our time.â
I know Iâm being stupid, but I donât want her coming to my shop. If she came into my shop, I might really get to like her, and then Iâd be waiting for her to come in all the time, and then when she did come in Iâd be nervous and stupid, and probably end up asking her out for a drink in some cack-handed roundabout way, and either she wouldnât catch my drift, and Iâd feel like an idiot, or sheâd turn me down flat, and Iâd feel like an idiot. And on the way home after the gig, Iâm already wondering whether sheâll come tomorrow, and whether it will mean anything if she does, and if it does mean something, then which one of us it will mean something to, although Barry is probably a nonstarter.
Fuck. I hate all this stuff. How old do you have to get before it stops?
Â
When I get home there are two answering machine messages, one from Lauraâs friend Liz and one from Laura. They go like this:
Rob, itâs Liz. Just phoning up to see, well, to see if youâre OK. Give us a ring sometime. Umâ¦Iâm not taking sides. Yet. Lots of love, bye.
Hi, itâs me. There are a couple of things I need. Can you call me at work in the morning? Thanks.
Mad people could read all sorts of things into either of these calls; sane people would come to the conclusion that the first caller is warm and affectionate, and that the second doesnât give a shit. Iâm not mad.
FIVE
I CALL Laura first thing. I feel sick, dialing the number, and even sicker when the receptionist puts me through. She used to know who I am, but now thereâs nothing in her voice at all. Laura wants to come around on Saturday afternoon, when Iâm at work, to pick up some more underwear, and thatâs fine by me; we should have stopped there, but I try to have a different sort of conversation, and she doesnât like it because sheâs at work, but I persist, and she hangs up on me in tears. And I feel like a jerk, but I couldnât stop myself. I never can.
I wonder what sheâd say, if she knew that I was simultaneously uptight about Marie
Fran Baker
Jess C Scott
Aaron Karo
Mickee Madden
Laura Miller
Kirk Anderson
Bruce Coville
William Campbell Gault
Michelle M. Pillow
Sarah Fine