Helter Skelter: The True Story of the Manson Murders
stardom. Her biggest role came in the 1967 film Valley of the Dolls , in which she played the actress Jennifer who, on learning that she has breast cancer, takes an overdose of sleeping pills. Not long before her death, Jennifer remarks, “I have no talent. All I have is a body.”
    There were reviewers who felt that adequately summed up Sharon Tate’s performance. To be fairer, to date she hadn’t been given a single role which gave her a chance to bring out whatever acting ability she may have had.
    She was not a star, not yet. Her career seemed to hesitate on the edge of a breakthrough, but it could easily have remained stationary, or gone the other way.
    But for the first time in her life, Sharon’s ambition had slipped to second place. Her marriage and her pregnancy had become her whole life. According to those closest to her, she seemed oblivious to all else.
    There were rumors of trouble in her marriage. Several of her female friends told LAPD that she had waited to tell Roman of her pregnancy until after it was too late to abort. If she was concerned that even after marriage Polanski remained the playboy, she hid it. Sharon herself often told a story then current in the movie colony, of how Roman was driving through Beverly Hills when, spotting a pretty girl walking ahead of him, he yelled, “Miss, you have a bea-u-ti-ful arse.” Only when the girl turned did he recognize his wife. Yet it was obvious that she hoped the baby would bring the marriage closer together.
    Hollywood is a bitchy town. In interviewing acquaintances of the victims, LAPD would encounter an incredible amount of venom. Interestingly enough, in the dozens of interview sheets, no one who actually knew Sharon Tate said anything bad about her. Very sweet, somewhat naïve—these were the words most often used.
    That Sunday a Los Angeles Times reporter who had known Sharon described her as “an astonishingly beautiful woman with a statuesque figure and a face of great delicacy.”
    But then he didn’t see her as Coroner Noguchi did.
    Cause of death: Multiple stab wounds of the chest and back, penetrating the heart, lungs, and liver, causing massive hemorrhage. Victim was stabbed sixteen times, five of which wounds were in and of themselves fatal.
     
     
    Jay Sebring, 9860 Easton Drive, Benedict Canyon, Los Angeles, male Caucasian, 35 years, 5-6, 120 pounds, black hair, brown eyes. Victim was a hair stylist and had a corporation known as Sebring International…
     
     
    B orn Thomas John Kummer, in Detroit, Michigan, he had changed his name to Jay Sebring shortly after arriving in Hollywood, following a four-year stint as a Navy barber, borrowing the last name from the famous Florida sports-car race because he liked the image it projected.
    In his personal life, as in his work, appearances were all-important. He drove an expensive sports car, frequented the “in” clubs, even had his Levi jackets custom-made. He employed a full-time butler, gave lavish parties, and lived in a “jinxed” mansion, 9860 Easton Drive, Benedict Canyon. Once the love nest of actress Jean Harlow and producer Paul Bern, it was here, in Harlow’s bedroom, that Bern had committed suicide, two months after their marriage. According to acquaintances, Sebring had bought the house because of its “far out” reputation.
    It was widely reported that a motion-picture studio had flown Sebring to London just to cut George Peppard’s hair, at a cost of $25,000. While the report was probably as factual as another also current, that he had a black belt in karate (he had taken a few lessons from Bruce Lee), there was no question that he was the leading men’s hair stylist in the United States, and that more than any other single individual, he was responsible for the revolution in male hair care. In addition to Peppard, his customers included Frank Sinatra, Paul Newman, Steve McQueen, Peter Lawford, and numerous other motion-picture stars, many of whom had promised to invest

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