Hawksmoor

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Authors: Peter Ackroyd
Tags: Fiction, General, prose_contemporary, Mystery & Detective
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photographs shining in the neon light now seemed to him as strange as any objects brought up by a diver from the floor of the ocean. He kept himself unnaturally still as he stared at this display, but when after a minute he turned and walked on the other seemed as close as before.
    Thomas went forward slowly, measuring pace by pace; he might have been engaged in that game where the feet must not touch the cracks in the pavement (or else, children say, you will break your mother's back), except that he never moved his eyes from the black coat of the figure in front of him.
    The sun was rising above the houses of Spitalfields, a dull red circle like a reptile's eye, and although the man seemed still to be walking forward he was at the same time coming nearer: Thomas could see quite clearly his white hair, which curled over the collar of his black coat. And then the head turned slowly, and now the face smiles.
    Thomas cried aloud, and ran diagonally across the street away from what he had just seen; he was running-back in the direction from which he had come, towards the church again, and as he ran he could hear the sound of footsteps chasing him (although, in truth, it might have been the echo of his own running steps). He turned the corner of Commercial Road and then, not looking back, he ran down Tabernacle Close at the end of which were the gates of the churchyard.
    He knew that he would be able to squeeze his body through the railings in a way that no adult could: as yet the figure in Commercial Road might not have turned the corner, and he might get into the church itself unobserved. As he pushed his way through the gates, he saw the entrance to the tunnel and saw, also, that the planks which had been removed from its front had not yet been replaced. It was to this he ran, as to a place of refuge. He bent down, awkward and breathless, and scrambled through the damp entry: once more he thought he heard movement behind him, and in his panic he sprang forward before his eyes had become accustomed to the darkness. He did not know that there were stairs in front of him and he fell, twisting his leg beneath him as he tumbled down; the light from the opening of the tunnel, which he half-glimpsed as he lay sprawled at the bottom of the steps, then disappeared.
    It was the odour of the passage which woke him, since it had crept into his mouth and formed a pool there. He was still lying where he had fallen, one leg tucked beneath his body; the floor of the passage was cold, and he could feel that coldness ascending into him. He seemed to have entered a world of profound silence but, as he raised his head to listen more acutely, straining every sense so that he might better understand his position, he could hear faint murmurs of wind or low voices which might have come from the streets outside or even from the tunnel itself. He tried to rise but fell back upon the ground when the pain returned to his leg: he dared not touch it but stared at it helplessly before leaning back against the damp wall and closing his eyes. Without thought he repeated some words which a boy had once chalked on the blackboard between lessons: 'A lump of coal is better than nothing. Nothing is better than God. Therefore a lump of coal is better than God'. And then he traced his own name with his finger on the cracked and broken floor. He had heard the children's stories about 'the house under ground' but at this moment he felt no particular fear -he had been living in the dark world of his own anxieties, and no infliction of reality could seem more terrible than that.
    Now in the dim attenuated light he saw the outlines of the passage ahead of him, and some letters inscribed on the curved roof above him. He turned his head, although it hurt him to do so, but the entrance through which he had come seemed to have disappeared and he was no longer sure exactly where he was. He tried to move forward: he had heard many times, from the adults as well as the children

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