Harnessed: How Language and Music Mimicked Nature and Transformed Ape to Man

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Authors: Mark Changizi
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while we can make such sounds, and they even occur in language, they are never given building-block, or phoneme, status.
    Are language’s slides like nature’s slides in being non-wiggly? First, let’s be clear on what it would even mean to have a fricative that varies dynamically as it is spoken. Try saying the sound “fs.” That is, begin with an “f” sound, and then slowly morph it to become “s” at the end. You make this sound when, for example, you say “puffs.” Languages could, in principle, have fricative phonemes that sound like “fs.” That is, languages could possess a single phoneme that has this complex dynamic fricative sound, just as languages possess single sonorant phonemes that are dynamic. One does not, however, find phonemes like this among human languages.
    Nature’s rings are wiggly but hits and slides are not, and culture has given us language with the same wiggles: language commonly has sonorant phonemes that dynamically vary, but does not have plosive or fricative phonemes that dynamically vary. Our auditory systems are happy with dynamic rings, but not with dynamic hits or slides, and culture has given us speech that conforms to these tastes.
    In addition to looking at dynamic changes within phonemes, we can make similar observations at the level of how phonemes combine into words: languages commonly have words with multiple sonorants in a row, but more rarely have multiple plosives or multiple fricatives in a row. For example, consider the following English words, which I found by perusing the second paragraph of this chapter: “harrowing” possesses six sonorants in a row (a, rr, o, w, i, and ng, the latter of which is a nasal sonorant), “village” has three in a row, “generation” has five in a row, and “eventually” has four in a row. One can find adjacent plosives, like in “packed” (“kt”) and “grabbed” (“bd”), and one can find adjacent fricatives like in “puffs” (“fs”), “gives” (“vz”), and “isthmus” (“sth”), but finding more than two in a row is difficult, and five or six in a row is practically impossible.
    We now know how, and how much, each of the three kinds of “event atoms” can vary in sound while they are occurring. We have not, however, considered whether an event of one of these three kinds can ever dynamically change into another kind of event. Could some simple event pairs be so common that we are likely to possess special auditory mechanisms for their recognition, mechanisms language harnesses? We turn to this question next, and uncover a kind of event sufficiently fundamental in physics that it is also found as a fourth kind of phoneme in language.
    Nature’s Other Phoneme
    I have been treating hits and slides as two different kinds of physical interaction. But slides are more complex than hits. This is because slides consist of very large numbers of very low-energy hits. For example, if you rub your fingernail on this piece of paper, it will be making countless tiny collisions at the microscopic level. Or, if you close this book and run your fingernail over the edges of the pages of the book, the result will be a slide with one little hit for each page of the book. But it would not be sensible to conclude, on this basis, that there are just two fundamental natural building blocks for events—hits and rings—because describing a slide in terms of hits could require a million hits! We still want to recognize slides as one of nature’s phonemes, because slides are a kind of supersequence of little hits that is qualitatively unlike the hits produced when objects simply collide.
    But there are implications to the fact that slides are built from very many hits, but not vice versa: that fact opens up the possibility of a fundamental event type that is not quite a hit, and not quite a slide. To understand this new event type, let’s look at a slide at the level of its million underlying hits. Imagine that the first

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