Their suits were well tailored
and, given the size of the men wearing them, must have been
custom-made. Nigerians, I assumed, whose size, managerial acumen, and
relative facility with the language had made them a rare foreign
success story, in this case as both middle management and muscle for
many of the area's entertainment establishments. The mi%u shobai, or
'water trade' of entertainment and pleasure, is one of the few areas in
which Japan can legitimately claim a degree of internationalization.
They bowed and opened the club's double glass doors for me, each
issuing a baritone irasshaimase as they did so. Welcome. One of them
murmured something into a microphone set discreetly into his lapel.
I walked down a short flight of stairs. A ruddy-faced,
prosperous-looking Japanese man whom I put at about forty greeted me in
a small foyer. Interchangeable J-Pop techno music was playing from the
room beyond.
"Nanmeisama des ho ka?" Mr. Ruddy asked. How many?
"Just one," I said in English, holding up a finger.
"Kashikomarimashita." Of course. He motioned that I should follow
him.
The room was rectangular, flanked by dance stages on either end. The
stages were simple, distinguished only by mirrored walls behind them
and identical brass fire poles at their centers. One stage was
occupied by a tall, long-haired blonde wearing high heels and a green
G-string and nothing more. She was dancing somewhat desultorily, I
thought, but seemed to have the attention of the majority of the club's
clientele regardless. Russian, I guessed. Large-boned and
large-breasted. A delicacy in Japan.
Harry hadn't mentioned floor shows. Probably he was embarrassed. My
sense that something was amiss deepened.
On the other stage I saw a girl who looked like a mix of Japanese and
something Mediterranean or Latin. A good mix. She had that silky,
almost shimmering black hair that so many modern Japanese women like to
ruin with chapatsu dye, worn short and swept over from the side. The
shape of the eyes was also Japanese, and she was on the petite side.
But her skin, a smooth gold like melted caramel, seemed like something
else, maybe African or mulatto. Her breasts and hips, too, appealingly
full and slightly incongruous on her Japanese-sized frame, seemed to
suggest some foreign origin. She was using the pole skillfully,
grabbing it high, posing with her body held rigid and parallel to the
floor, then spiraling down in time to the music. There was real
vitality in her moves and she didn't seem to mind that most of the
patrons were focused on the blonde.
Mr. Ruddy held out a chair for me at an empty table in the center of
the room. After a routine glance to ensure that the seat afforded a
proper view of the entrance, I sat. I wasn't displeased to see that I
also had a good view of the stage where the dark-haired girl was
dancing.
"Wow," I said in English, looking at her.
"Yes, she is beautiful," he replied, also in English. "Would you like
to meet her?"
I watched her for another moment before answering. I didn't want to
wind up with one of the Japanese girls here. I would have a better
chance of creating rapport, and therefore of eliciting information, by
chatting with a foreigner while playing the role of foreigner.
I nodded.
"I will let her know." He handed me a drinks menu, bowed, and slipped
away from the table.
The menu was written on a single page of thick, cream-colored parchment
in double columns of elegant Japanese, the club's signature red rose
placed discreetly at the bottom. I was surprised to see that it
included an imaginative selection of single malts. A
twenty-five-year-old Springbank, which I'd been looking for. And a
Talisker of the same age. I might have to stay for a while.
A waitress came by and I ordered the Springbank. Ten thousand yen the
measure. But life is short.
There were a dozen girls working the floor. About half were Japanese;
the others looked indeterminately
Sloan Parker
Leandra Wild
Truman Capote
Tina Wainscott
Unknown
Melissa Silvey
Morgan Bell
Back in the Saddle (v5.0)
Zoe Sharp
Dave Pelzer