thunderingly as though it conjured devils.’ What do I do next?”
The servant had come back, and now whispered in Martha’s ear.
“Speak now,” said he. “The master is willing to help you.”
Thus encouraged, Martha stammered out her request. She had come to ask the Wise Man to help her mistress, who lay under an enchantment. She had brought an offering—the best she could find, for she had not liked to take anything of her master’s during his absence. But here were a silver penny, an oat-cake, and a bottle of wine, very much at the wizard’s service, if such small matters could please him.
The wizard, setting aside his book, gravely accepted the silver penny, turned it magically into six gold pieces and laid the offering on the table. Over the oat-cake and the wine he showed a little hesitation, but at length, murmuring:
“Ergo omnis longo solvit se Teucria luctu”
(a line notorious for its grave spondaic cadence), he metamorphosed the one into a pair of pigeons and the other into a curious little crystal tree in a metal pot, and set them beside the coins. Martha’s eyes nearly started from her head, but Juan whispered encouragingly:
“The good intention gives value to the gift. The master is pleased. Hush!”
The music ceased on a loud chord. The wizard, speaking now with greater assurance, delivered himself with fair accuracy of a page or so from Homer’s Catalogue of the Ships, and, drawing from the folds of his robe his long white hand laden with antique rings, produced from midair a small casket of shining metal, which he proffered to the suppliant.
“The master says,” prompted the servant, “that you shall take this casket, and give to your lady of the wafers which it contains, one at every meal. When all have been consumed, seek this place again. And remember to say three Aves and two Paters morning and evening for the intention of the lady’s health. Thus, by faith and diligence, the cure may be accomplished.”
Martha received the casket with trembling hands.
“Tendebantque manus ripæ ulterioris amore,” said the wizard, with emphasis. “Poluphloisboio thalasses. Ne plus ultra. Valete. Plaudite.”
He stalked away into the darkness, and the audience was over.
“It is working, then?” said the wizard to Juan.
The time was five weeks later, and five more consignments of enchanted wafers had been ceremoniously dispatched to the grim house on the mountain.
“It is working,” agreed Juan. “The intelligence is returning, the body is becoming livelier and the hair is growing again.”
“Thank the Lord! It was a shot in the dark, Juan, and even now I can hardly believe that anyone in the world could think of such a devilish trick. When does Wetherall return?”
“In three weeks’ time.”
“Then we had better fix our grand finale for to-day fortnight. See that the mules are ready, and go down to the town and get a message off to the yacht.”
“Yes, my lord.”
“That will give you a week to get clear with the menagerie and the baggage. And—I say, how about Martha? Is it dangerous to leave her behind, do you think?”
“I will try to persuade her to come back with us.”
“Do. I should hate anything unpleasant to happen to her. The man’s a criminal lunatic. Oh, lord! I’ll be glad when this is over. I want to get into a proper suit of clothes again. What Bunter would say if he saw this—”
The wizard laughed, lit a cigar and turned on the gramophone.
The last act was duly staged a fortnight later.
It had taken some trouble to persuade Martha of the necessity of bringing her mistress to the wizard’s house. Indeed, that supernatural personage had been obliged to make an alarming display of wrath and declaim two whole choruses from Euripides before gaining his point. The final touch was put to the terrors of the evening by a demonstration of the ghastly effects of a sodium flame—which lends a very corpse-like aspect to the human countenance, particularly
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