Hand of God

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Authors: Philip Kerr
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Bretagne Hotel, in the centre of Athens. At exactly eleven o’clock I was sitting on a large, biscuit-coloured ottoman in the hotel lobby, texting Simon Page about our first game of the new Premier League season, an away match against newly promoted Leicester City, on 16 August. Simon was just about to take an eight o’clock training session at Hangman’s Wood and I was telling him not to make it a hard one as I was concerned that some of our players were still tired after their World Cup duties, not to mention our disastrous and entirely unnecessary tour of Russia.
    ‘Did you sleep well?’
    I glanced up to find Valentina standing in front of me. She was wearing a plain white shirt, tight blue J-Brand jeans, comfortable snakeskin sandals and black acetate Wayfarers. I stood up and we shook hands.
    ‘Yes, thanks.’
    ‘Ready?’ she said.
    ‘Where are we going?’
    ‘To see someone you know.’
    We took a taxi to the National Archaeological Museum, a five-minute drive north from the hotel. The museum was designed like a Greek temple, a little less run-down than the one on top of the Acropolis, but not far off being a ruin; and like many public buildings in Greece – and quite a few private ones – it was covered in graffiti. Beggars drifted around the unkempt park that was laid out in front of the entrance like so many stray cats and dogs and I handed one old man all of the coins that were in my trouser pocket.
    ‘It’s something I always do back home,’ I said, seeing Valentina’s sceptical look. ‘For luck. You can’t get any if you don’t give any. Football’s cruel, sometimes very cruel. You have to make sure the capricious gods of football are properly appeased. You shouldn’t even be in the game unless you’re an optimist and to be an optimist means you cannot be a cynic. You have to believe in people.’
    ‘You don’t strike me as the superstitious sort, Scott.’
    ‘It’s not superstition,’ I said. ‘It’s just pragmatic to take a balanced approach to good luck and to careful preparation. It’s actually the clever thing to do. Luck has a way of favouring the clever.’
    ‘We’ll see, won’t we?’
    ‘Oh, I think Hertha will win. In fact, I’m sure of it.’
    ‘Is that because you’re half German?’
    ‘No. It’s because I’m clever. And because I believe in totaler Krieg . Football that takes no prisoners.’
    Inside the museum were the treasures of ancient Greece, including the famous gold mask of Agamemnon that Bastian Hoehling had mentioned, back in Berlin. It looked like something made by a child out of gold foil from a chocolate bar. But it was another treasure that Valentina had brought me to see. As soon as I saw it I gasped out loud. This was a life-size bronze statue of Zeus that many years before had been recovered from the sea. What struck me most was not the rendering of motion and human anatomy but the head of Zeus, with its shovel beard and cornrow haircut.
    ‘My God,’ I exclaimed, ‘it’s Bekim.’
    ‘Yes.’ Valentina laughed delightedly. ‘He could have modelled for this bronze,’ she said. ‘Couldn’t he?’
    ‘Even the way he stands,’ I said, ‘mid-stride, in the act of throwing a spear or hurling a thunderbolt, that’s exactly the way Bekim always celebrates scoring a goal. Or nearly always.’
    ‘I thought it would appeal to you.’
    ‘Does he know?’
    ‘Does he know?’ Valentina laughed again. ‘Of course he does. It’s his secret. He grew his beard so he would look like this statue; and when he scores he always thinks of Zeus.’ She shrugged. ‘I’m not sure he actually thinks he’s a god, but I wouldn’t be at all surprised.’
    I walked around the statue several times, grinning like an idiot as I pictured Bekim adopting this same pose.
    And yet, perfect as the statue was, there was something wrong with it, too. The more I looked at it the more it seemed that the outstretched left hand was wrong, that it was attached to an arm

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